Drum Machines

From the 1980s onwards, drum machines became central to the evolution of modern music, shaping the sound of pop, rock, hip hop, electronic, and dance. With the arrival of programmable models like the Roland TR-808, LinnDrum, and Oberheim DMX, producers gained unprecedented control over rhythm, allowing them to craft entirely new grooves rather than rely on preset patterns. These machines defined the punchy backbeats of early hip hop, the driving rhythms of synth-pop and new wave, and the foundational beats of house and techno. Their distinctive character, whether the booming low end of the 808 or the crisp realism of the LinnDrum, became inseparable from the era’s music. Even as sampling and digital workstations emerged, the iconic sound and feel of 1980s drum machines remained influential, continuing to shape electronic production well into the decades that followed.

Made In Japan
Released in 1978 /
The Roland CR-78 CompuRhythm was the first drum machine with a microprocessor, offering programmable storage alongside 34 versatile presets. Its analogue tones defined early electronic pop and rock, with Phil Collins’ *In the Air Tonight* immortalising its sound as one of the most atmospheric uses of a drum machine in popular music.
Made In U.S.A.
Released in 1980 /
Released in 1980, the Linn LM-1 was the first digital sampled drum machine, offering realistic drum sounds, programmability and studio-grade mixing. Its use by Prince, Michael Jackson, Peter Gabriel and others defined the sound of the 1980s, reshaping how rhythm was created in popular music.
Made In Japan
Released in 1980 /
The Roland 1980 TR-808 is an analogue rhythm composer with extensive step memory, per-voice controls and comprehensive sync and trigger I/O. Its unmistakable bass drum, claps and hats shaped electro, hip hop, house and pop, and the term “808s” became a universal production reference.
Made In U.S.A.
Released in 1981 /
Released in 1981, the Oberheim DMX was a digital sample-based drum machine with interchangeable sounds, real-time and step-time programming, and a built-in mixer. Used on hits by New Order, Madonna and Run-D.M.C., it shaped early 1980s pop, R&B and hip hop, laying the foundations for sample-driven production.
Made In Japan
Released in 1981 /
The Roland TR-606 Drumatix offered 7 analogue drum voices, 32 pattern memory, 8 songs and DIN sync connectivity. Initially overlooked, it later became a cult machine, shaping post-punk, industrial, acid house, techno and IDM music genres.
Made In U.S.A.
Released in 1982 /
Released in 1982, the LinnDrum expanded on the LM-1 with 15 sampled drum sounds, user-changeable chips, song sequencing and pro-level mixing. It became the defining drum machine of the 1980s, powering hits by Madonna, Michael Jackson and Prince, and cementing sampled drums as the sound of modern pop.
Made In Japan
Released in 1983 /
The Roland TR-909 combined analogue and digital technology, introduced MIDI, and offered hands-on programmability. Its iconic kick, snare and hats powered house, techno and rave, and its influence still resonates across modern dance music.
Made In U.S.A.
Released in 1984 /
Released in 1984, the Linn 9000 fused sampled drums, velocity-sensitive pads and a 32-track MIDI sequencer, creating a hands-on production workstation that set the template for pad-based groove machines and shaped late-1980s studio workflows.
Made In U.S.A.
Released in 1985 /
Released in 1985, the E-Mu SP-12 was a 12-bit sampling drum machine that fused programmable sequencing with user sampling. Its gritty, punchy sound and sampling ability reshaped hip hop and electronic music, making it one of the most influential production tools of its era.
Made In Japan
Released in 1985 /
The Roland TR-707 was a digital PCM drum machine with 15 sounds, hands-on mixing sliders, pattern memory and full MIDI. Its crisp, characterful samples shaped 1980s pop, new wave and the rise of house and techno, earning it lasting respect as a versatile classic.
Made In Japan
Released in 1985 /
The Roland TR-727 was a Latin percussion drum machine with 15 PCM-sampled sounds, designed as a companion to the TR-707. Its agogôs, congas, timbales and cabasas helped shape early house, techno and acid house, giving electronic music new textures that remain influential today.