Vintage Digital

Equalisers

Classic Recording Studio Equipment

Equalisers, or EQs, are tools used in recording studios to adjust the frequency response of an audio signal. EQs are typically used to cut or boost certain frequencies, allowing the engineer to shape the overall sound of a recording. The frequency bands that an EQ can adjust can vary, but most common EQs feature a low-frequency band, a mid-frequency band, and a high-frequency band. The engineer can adjust the gain of each band to either cut or boost specific frequency ranges in the audio signal.

Equalisers can be used for a variety of purposes in the recording process. For example, a high-pass filter can be used to remove low-frequency rumble or noise, while a low-pass filter can be used to remove high-frequency hiss or unwanted harmonics. EQs can also be used to correct problems in the recording, such as excessive resonance or harshness in a particular frequency range. Additionally, EQs can be used creatively to shape the tone of a recording, such as boosting the bass for a heavier sound or cutting the mids for a more “scooped” sound. EQs are a crucial tool in the mixing process and can greatly affect the final sound of a recording.

Parametric equalisers, or parametric EQs, are a type of equaliser commonly used in recording studios. Unlike standard graphic EQs, which feature fixed frequency bands that can only be adjusted in level, parametric EQs allow the user to adjust the center frequency, bandwidth, and gain of each band independently. This provides the engineer with more precise control over the frequency response of the audio signal, allowing them to make very specific adjustments to the sound.

Parametric EQs are often used for more advanced equalisation tasks, such as surgical correction of resonant frequencies, precise tonal shaping of instruments, or adding emphasis to certain frequency ranges in a mix. The adjustable bandwidth, or “Q” factor, of each band also allows for more precise control over how much surrounding frequencies are affected by the EQ. Parametric EQs can be used for a variety of instruments and applications, including vocals, drums, guitars, and mastering. With their precise control and versatility, parametric EQs are a powerful tool for recording engineers and mixers, allowing them to fine-tune the sound of a recording with great accuracy.

Designed to complement the widely acclaimed Drawmer 1960 Mic Pre-Amp Vacuum Tube Compressor, the Drawmer 1961 Vacuum Tube Equalizer combines low noise circuitry with no fewer than twelve active tube stages to provide two channels of exceptional equalization possessing unique ‘personality’.
The D.W. Fearn VT-5 tube equalizer will change the way you think of EQ. It’s smooth and sweet, and can be very subtle at mild settings, but quite strong with aggressive use of the controls.
The D.W. Fearn VT-4 tube equalizer will change the way you think of EQ. It’s smooth and sweet, and can be very subtle at mild settings, but quite strong with aggressive use of the controls.
The Maselec MEA-2 is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q/shelf, frequency and cut/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.
The Avalon AD2055 Pure Class A music equalizer is the most powerful, low noise parametric equalizer available today, or at least it was. Designed to optimize absolute signal integrity and musical performance.
The Manley Massive Passive is one of the very few highly regarded equalisers ever made. There is the Pultec EQ, and then there is the Manley Massive Passive. Sure it is a parametric EQ, but with a twist!
The Avalon VT-747sp is one of those killer products, one which is very much not like any other, and is in fact so clever than many people miss the point, but make no mistake, this is one of those classics!
No other high-end equaliser can offer the same degree of power and flexibility as the TL Audio EQ-2.
Designed to meet and exceed the needs of the recording, broadcast, installation and live sound industries, the Klark Teknik DN3600 Programmable Graphic Equaliser is an extremely high quality, digitally controlled, two-channel, third-octave equaliser that combines state-of-the-art audio performance with unprecedented ease of use.
Brought to you from the man who invented and coined the term “Parametric Equalization”, the GML Model 8200 has been an industry standard for almost forty years, and can be found on virtually every major recording studio’s stereo bus.
The TL Audio 5013 Dual Valve Equaliser without doubt possesses the finest combination of performance and affordability of any equaliser that we have yet produced.
The Weiss EQ1 is a seven-band stereo equalizer in a league of its own. It is no coincidence that it has been a staple at world-class mastering and mixing studios for decades.
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