Vintage Digital

Equalisers

Classic Recording Studio Equipment

Equalisers, or EQs, are tools used in recording studios to adjust the frequency response of an audio signal. EQs are typically used to cut or boost certain frequencies, allowing the engineer to shape the overall sound of a recording. The frequency bands that an EQ can adjust can vary, but most common EQs feature a low-frequency band, a mid-frequency band, and a high-frequency band. The engineer can adjust the gain of each band to either cut or boost specific frequency ranges in the audio signal.

Equalisers can be used for a variety of purposes in the recording process. For example, a high-pass filter can be used to remove low-frequency rumble or noise, while a low-pass filter can be used to remove high-frequency hiss or unwanted harmonics. EQs can also be used to correct problems in the recording, such as excessive resonance or harshness in a particular frequency range. Additionally, EQs can be used creatively to shape the tone of a recording, such as boosting the bass for a heavier sound or cutting the mids for a more “scooped” sound. EQs are a crucial tool in the mixing process and can greatly affect the final sound of a recording.

Parametric equalisers, or parametric EQs, are a type of equaliser commonly used in recording studios. Unlike standard graphic EQs, which feature fixed frequency bands that can only be adjusted in level, parametric EQs allow the user to adjust the center frequency, bandwidth, and gain of each band independently. This provides the engineer with more precise control over the frequency response of the audio signal, allowing them to make very specific adjustments to the sound.

Parametric EQs are often used for more advanced equalisation tasks, such as surgical correction of resonant frequencies, precise tonal shaping of instruments, or adding emphasis to certain frequency ranges in a mix. The adjustable bandwidth, or “Q” factor, of each band also allows for more precise control over how much surrounding frequencies are affected by the EQ. Parametric EQs can be used for a variety of instruments and applications, including vocals, drums, guitars, and mastering. With their precise control and versatility, parametric EQs are a powerful tool for recording engineers and mixers, allowing them to fine-tune the sound of a recording with great accuracy.

The Avalon Design AD2077 Mastering Equalizer is an ultraistic design optimizing absolute signal integrity. Design features include 100% discrete pure class A signal amplifiers, state-of-the-art passive and active filter topologies and a DC coupled minimalist signal path.
The Alesis PEQ450 is a 5-Band Parametric Equalizer and an incredible sound shaping tool in a two rack space unit.
The Alesis DEQ830 8 Channel Digital Graphic EQ offered 8 channels of digital graphic equalization in a single rack space.
The Alesis DEQ230 2 Channel Digital Graphic EQ offers 30 bands of extremely graphic equalization control in a single rack space.
The Langevin All-discrete Pultec EQP-1A works the same way as the Manley unit but instead has an ALL-DISCRETE make-up gain amplifier with both balanced and unbalanced inputs and outputs– all completely transformerless.
The Empirical Labs Lil FreQ like most Empirical Labs products offers something unique among it’s peers, in this case 8 processor sections. As with ELI’s other signal processors, the Empirical Labs Big FreQ Equalizer takes a somewhat unique approach to its job.
The GML Model 9500 Mastering Parametric Equalizer is the Mastering Version of the GML Model 8200 Parametric Equalizer.
The Klark Teknik DN370 is the latest evolutionary step in a process of design refinement that goes back over 30 years. With DN370 we’ve started from the ground up and produced a unit that is totally without compromise, and one that we believe is the finest professional graphic equaliser in the world today. It also perfectly complements the existing Klark Teknik range of equalisers, both analogue and digital.
In the SPL PASSEQ they have revived the concept of the passive equalizer that was used in the 50’s and 60’s. The charming sound of this vintage technology combined with the modern 120V technology results in a very special equalizer.
The Elysia Museq is an equalizer that combines premium sound shaping with optimally matched parameters and highest quality components, enabling the user to create musical results in no time at all.
The beginnings of the API 5500 circuit can be traced back to the original 550 equalizer designed by Saul Walker, the founder of Automated Processes Inc.
The Langevin Mini Massive is the little brother to Manley’s Massive Passive EQ.
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