Vintage Digital

Equalisers

Classic Recording Studio Equipment

Equalisers, or EQs, are tools used in recording studios to adjust the frequency response of an audio signal. EQs are typically used to cut or boost certain frequencies, allowing the engineer to shape the overall sound of a recording. The frequency bands that an EQ can adjust can vary, but most common EQs feature a low-frequency band, a mid-frequency band, and a high-frequency band. The engineer can adjust the gain of each band to either cut or boost specific frequency ranges in the audio signal.

Equalisers can be used for a variety of purposes in the recording process. For example, a high-pass filter can be used to remove low-frequency rumble or noise, while a low-pass filter can be used to remove high-frequency hiss or unwanted harmonics. EQs can also be used to correct problems in the recording, such as excessive resonance or harshness in a particular frequency range. Additionally, EQs can be used creatively to shape the tone of a recording, such as boosting the bass for a heavier sound or cutting the mids for a more “scooped” sound. EQs are a crucial tool in the mixing process and can greatly affect the final sound of a recording.

Parametric equalisers, or parametric EQs, are a type of equaliser commonly used in recording studios. Unlike standard graphic EQs, which feature fixed frequency bands that can only be adjusted in level, parametric EQs allow the user to adjust the center frequency, bandwidth, and gain of each band independently. This provides the engineer with more precise control over the frequency response of the audio signal, allowing them to make very specific adjustments to the sound.

Parametric EQs are often used for more advanced equalisation tasks, such as surgical correction of resonant frequencies, precise tonal shaping of instruments, or adding emphasis to certain frequency ranges in a mix. The adjustable bandwidth, or “Q” factor, of each band also allows for more precise control over how much surrounding frequencies are affected by the EQ. Parametric EQs can be used for a variety of instruments and applications, including vocals, drums, guitars, and mastering. With their precise control and versatility, parametric EQs are a powerful tool for recording engineers and mixers, allowing them to fine-tune the sound of a recording with great accuracy.

At the heart of this stereo unit are gently sweeping treble and bass EQ shelves (the Baxandall Curves) that give you subtle yet profound control over wide sections of the frequency spectrum. The opposite of a surgical tool, the BAX EQ is all about sweetening sounds with broad, musical adjustments.
The Warm Audio EQP-WA Program Tube Equalizer is a faithful recreation of the industry-standard tube equalizer, the Pultec EQP-1A.
The Klark Teknik EQP-KT is a classic Tube Equaliser with Switchable-Frequency Selection, Variable-Bandwidth and Custom-Built Midas Transformers.
The Chandler Limited TG12345 MKIV equalizer is a handmade, fully discrete, mono, single space module, designed for the 500 Series format.
Soma is a clear departure from the old “passive EQs are for general shaping only” paradigm. It is the only commercially available passive EQ with real Q adjustment, which makes it more usable and accurate than other products which use only a resistor based Q adjustment which affects boost/cut amount and does not offer a wide range.
The Gyraf Audio G23-S is an original design Tilting-type Equalizer aimed mainly at mix and mastering, for the situations where you have a mix that is already nearly-perfect balanced, but want it a tad darker or brighter without messing up the overall definition. The recent -S version has been extended, now containing two entirely different topologies for makeup gain and interfacing.
KnifEksa is an exercise in ultimate purity of sound, and unlike all other Knif products, it is not tube based, but uses in-house designed and produced class A discrete OP amps.
The TK Audio TK-Lizer 2 Mastering Equalizer’s wide EQ curves makes it perfect to fine tune your mixes.
The Warm Audio WA73-EQ British Mic Preamplifier + EQ provides proper reproduction of the most legendary console sound of all time.
The IGS Tilt n Bands Mastering Equalizer is a full tube Mastering Equalizer unlike any other.
The Warm Audio WA273-EQ Dual-Channel British Mic Preamplifier + EQis a proper reproduction of the most legendary console sound of all time.
The Maag Audio EQ4M is Maag Audio’s flagship mastering equalizer. It is based on the company’s original 6-band NTI EQ3 and like that original 2u equalizer, the 1u eq4m also includes Cliff Maag’s unique and noteworthy air band® shelving equalizer first introduced in 1993 with the NTI EQ3.
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