Vintage Digital

Classic Recording Studio Equipment

The Alesis ADAT recorder when it arrived in 1992, literally changed the world overnight for studios and home musicians alike, by bringing digital recording to an affordable level for small studios and musicians.
In the dynamic world of broadcasting, professionals demand excellence in their studio equipment. The Studer D780 R-DAT recorder rises to meet these exacting standards, ushering in a new era of efficiency and precision.
The dbx 1046 provides 4 channels of smooth classic dbx OverEasy® or Hard Knee compression that are perfectly suited for use on individual tracks of your multitrack recorder.
The Eventide H3500 is capable of creating effects you have never heard before (1992) and is fully MIDI controllable with click less, real-time MIDI control. The Eventide H3500 incorporates all the effects of the Eventide H3000-SE, plus the Mod Factory dynamic presets, and the Eventide HS322/395 Sampler card.
After a digital reverb and a digital delay, the next logical choice for Sony was a modulation processor, and that is exactly what they delivered with the Sony DPS-M7. With the new Sony DPS-M7, Sony continued to improve the sonic characteristics of the internals, with the DPS-M7 showing even better noise floor performance than even the DPS-D7 that preceded it.
After the digital reverb, digital delay and then a modulation processor, what could Sony release next? A dynamic filter, which lacked the appeal of the first three effects in the DPS line up. The Sony DPS-F7 is suited to keyboard players that studios, as it generates rather interesting effects for keyboards including vocoder and synthesizer. Having said that, creative engineers could find great use for this effect in their racks.
Ensoniq were a keyboard manufacturer back in the 1980s, but their legacy seems destined to be their first multi-effect processor, the Ensoniq DP/4. Using their experience from keyboards and samplers, Ensoniq developed their first effects processor in 1992 towards the end of their keyboard era, and to this day, the Ensoniq DP/4 is still sought being after.
The Drawmer 1960 is a two channel unit with each channel comprised of a completely natural sounding “soft knee” vacuum tube compressor and an extremely low noise microphone pre-amplifier with switchable 48 volt phantom power. Upon it’s release in 1993, it was THE mic pre to have!
The world-renowned Summit Audio TLA-100A tube leveling amplifier has been regarded as a staple by studio and live engineers around the world for more than a quarter of a century.
Otari didn’t just re-package an existing consumer recorder when it came time to build the Otari DTR-90 professional DAT machine. Instead, they applied the same formula as they have to all our professional audio products: They asked audio professionals what features they wanted. The result is a truly professional R-DAT that is destined to become the standard of the industry.
Taking what they had learned with the R-880, Roland developed a new SRV reverb, the Roland SRV-330 and it is one of Roland’s finest digital reverbs. The Roland SRV-330 is a fantastic reverb that offers a broad range of reverbs, from real space emulations to retro gear emulations, and they all sound fantastic with smooth tails and low noise.
With the Akai DR4d Version 4, Akai has taken affordable digital recording to the next level. Building on the power and flexibility of the original DR4, the DR4d Version 4 further expands your creative horizons with our new VirtualTracks and Stereo Ping Pong capabilities.