Vintage Digital

Classic Recording Studio Equipment

On the back of the success of the Sony DPS-R7, Sony developed and released the next processor in the line-up, the DPS-D7 Digital Delay with audible improvements. Sony didn’t just add int he new algorithms and release it, they also chose to make the DPS-D7 use a higher sampling rate of 48kHz to improve the bandwidth even further than the DPS-R7.
The dbx 263x De-Esser is a highly effective and versatile tool for any audio engineer or producer looking to improve the quality of their vocal recordings.
The Roland DM-80 is an affordable mufti track recorder system for tapeless recording. It is a complete music production system that provides comprehensive control over recording, playback and editing operations.
The RSP Technologies Saturator is a dual channel, two rack space unit finished in anodized blue.
The Tube-Tech CL 1B is an all-tube optical mono compressor. It delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings, and this is where CL 1B really stands out compared to other compressors.
The TUBE-TECH PE 1C is a passive, all-tube EQ, based on the legendary PULTEC EQP 1A design and featuring a passive EQ section and a high quality op amp.
After failing to to make an impact with the Roland R-880, Roland went back to what they do best, affordable multi effects processors and the Roland RSP-550 was born. The Roland RSP-550 was a departure from the norm for Roland, gone was the SRV nomenclature, but only for a short while when they returned with the SRV-330.
The Lexicon LXP-15 offers a rich and distinctive palette of special effects, including 128 preset effects programs to get you started. Each program has up to five display pages of variable parameters that you can adjust for subtle or dramatic changes in the program’s sound, and you can store as many as 128 customized programs in user memory.
Korg had made a number of effects units by the time the Korg A1 was released, and for this unit they went all out to match the competition. The Korg A1 was designed to surpass the usual limitations of digital multi-effect processors.
By the 1990s Orban was owned by AKG Acoustics, and during this time they released a number of interesting products, such as the Orban 290RX. The Orban 290RX Adaptive Enhancement Processor was an interesting product that was on one hand a sound restoration device, and on the other a noise reduction system.
RSP Technologies are better known as Rocktron, but for a short time they produced the RSP Technologies brand, aimed more at studios. The RSP Technologies Intelliverb was something of a sleeper, but from all reports it is a very good reverb and their current prices would support that.
A mainstay of both the live sound and studio environments, the Summit Audio DCL-200 has helped shape the sound of countless concerts and albums for decades, as well as holding down the fort in many of the best dance clubs around the world.