Vintage Digital

Classic Recording Studio Equipment

The Langevin Dual Mono Mic Preamp is our refined version of the historic Langevin AM-4 console channel.
The Universal Audio LA-2A Leveling Amplifier is true to the original design, Universal Audio’s famed tube-amplified T4 electro-optical compressor.
The Roland SDE-330 digital delay was released at the same time as the SRV-330 and offers just as spectacular performance as it’s sibling. Roland had by now made a number of digital delays, and the SDE-330 showed they had nailed the concept.
The year of 1993 saw the arrival of the first challenger to the groundbreaking Alesis ADAT, and what a challenger it was too, with smaller tape size, and importantly better sound quality! It went on to become the biggest selling product in Tascam’s history, selling more than 60,000 units!
The Yamaha SPX990, regardless of the name came after the Yamaha SPX1000 and continued the Yamaha tradition of providing superb quality. The Yamaha SPX990 effect systems offers 80 preset effect programs including accurate simultaneous natural reverberation and early reflections.
This single channel Manley Mid Frequency Equalizer is the secret weapon for vocal, guitar, snare and all the other midrange instruments that are the meat of the mix.
The EMT 248 Digital Audio Processor served as a versatile solution for handling audio signal processing, rendering individual sound effects and processing units obsolete. The front panel of the device features program modules that offer quick access to a range of functions.
In designing the D.W. Fearn VT-1 preamp, no compromise in sonic quality, reliability, or ruggedness was permitted. Like the best tube equipment of the 1950s and ’60s, the VT preamp is built on a heavy-gauge aluminum chassis, utilizing point-to-point wiring.
There are few modern classics in the world of professional studio effects hardware, but the Manley Stereo Variable MU limiter compressor is most definitely one such processor. An all tube limiter built in the great tradition of the Fairchild 660, the Manley Stereo Variable MU has been a cherished part of many studios for decades.
The Fostex D-30 Digital Master Recorder was the pinnacle of DAT recorders for mastering duties, offering every conceivable feature you could think of.
The Sony K-1203 Super Bit Mapping Processor was a digital processing unit that was unique to Sony, and it enabled conversion of higher than 16-bit signals to 16-bit without audible loss.
Set it and forget it! The Langevin Elop Stereo Electro-Optical Limiter makes your job easy.