Vintage Digital

Classic Recording Studio Equipment

The dbx 165A is a professional single channel compressor/limiter that features the new dbx Over Easy compression curve. The dbx Over Easy compression curve permits extremely smooth, almost inaudible compression due to the gradual change of compression ratio around the threshold, instead of the customary sharp threshold.
The dbx 160X replaced the now legendary dbx 160(VU) and added the over easy compression of the dbx 165, and changed the form factor from the half rack size with wood side panels, to a single rack chassis.
The Lexicon Model 97 “Super Prime Time” is a major advancement in digital audio equipment. With it you can create, store and recall an unlimited variety of effects which you have programmed, in any sequence you like. The standard unit offers a maximum delay time of 480 milliseconds, and memory extension options let you increase that to either 960 milliseconds or 1.92 seconds – all at full 20kHz bandwidth.
The Roland SDE-3000 was a natural progression from the earlier SDE-2000 and offered better sound quality through increased bandwidth among other improvements. The Roland SDE-3000 is a high quality Delay Machine featuring various delay effects and also the Memory function that retains up to eight different panel settings, therefore, it is extremely helpful for both studio and live performance.
The Tascam 234 Syncaset 4-channel cassette deck was a groundbreaking audio recorder based on the Portastudio transport, that was introduced in 1983. It failed to achieve the wide acceptance of the all mighty Portastudio however.
The Yamaha Rev1 is a professional digital reverberator with 1 in and 2 outs. Various reverberation effects can be added to original sounds by allowing early reflections and subsequent reverberation to be independently controlled and mixed.
The Deltalab Effectron II boasted top-notch digital effects that delivered a natural sound, all at incredibly affordable prices. It was a technological breakthrough that stood unmatched by any other at the time. Finally, you could own a high-performance digital delay without breaking the bank!
The Roland SDE-1000 represented Roland’s entry into the affordable Digital Delay market and it brought quality effects for all of us. The Roland SDE-1000 Digital Delay is a high quality 12 bit digital delay machine with various attractive features including chorusing.
The Boss DE-200 offered users a very affordable entry into digital delays, even more affordable than the Roland product of that time which was already well priced. The Boss DE-200 and it’s siblings were an exercise in simplicity, with a front panel that was as clean as it was practical, making it very easy for new comers to get around.
France’s contribution to recording studio effects, the Publison Infernal Machine 90, Stereo Audio Computer. The Publison Infernal Machine 90 is a computer based audio processor released around 1983, from a company based in France.
With the coming of the Space Age, sound engineers will finally acquire power over acoustic space and time with the Ursa Major Stargate 323. They will create reverberant spaces of almost limitless variety, from tiny chambers to vast echoing canyons. They tune their effects to achieve a richness and realism that once seemed beyond the reach of any technology.
Aphex Systems Limited introduced the Aphex Aural Exciter Type B in 1983 as a low-cost version (US$495) of the original Exciter which was offered on a $30 per minute hire basis.