Made In Japan

Released in 1986 /

Sony MU-R201 Stereo Digital Reverb

The Sony MU-R201 was released following the comparatively high-priced Sony DRE-2000 and marked Sony’s initial foray into stereo processing for their reverbs. Although it gained limited traction in the western market, it achieved popularity in Japan. Despite this, Roger Nichols was an ardent proponent of the MU-R201 and employed it extensively in his mixing, including some of the Steely Dan mixes.

Made In U.S.A.

Released in 1986 /

ART DR1 Digital Reverb

The software based ART DR1 Digital Reverb has 46-bit technology and 14KHz bandwidth, giving you wide dynamic range and frequency response. This range and response result in high definition performance. Couple this technology with the convenience of full function remote control, 0ver 100 user presets and full MIDl capability.

Made In U.S.A.

Released in 1986 /

Alesis Midiverb Digital Reverb

The one that changed everything, the Alesis Midiverb came along and gave everyone a digital reverb for their home studio recordings. It was no Lexicon that is for sure, but when the Alesis Midiverb came along it was a gift for home recording musicians and it launched Alesis as a company, into the stratosphere.

Made In Japan

Released in 1986 /

Korg DRV-1000 Digital Reverb

The Korg DRV-1000’s D.S.P. technology offers affordable, high-quality digital reverb with 128 acoustic variations and convenient “Long” and “Cancel” functions for versatile, on-stage use.

Made In Japan

Released in 1986 /

Korg SDD-3300 Triple Digital Delay

The Korg SDD-3300 features three delay units in a compact 2U size with triple digital delay, MIDI compatibility, and extensive sound modulation capabilities, making it ideal for professional studio and live use.

Made In Hong Kong

Released in 1986 /

dbx 463x Over Easy Noise Gate

The dbx 463X Over Easy Noise Gate offered smooth, downward expansion and creative gating effects in a simple, musical design, ideal for studio noise control and rhythmic sound shaping.

Made In Japan

Released in 1986 /

Roland DEP-5 Digital Effects Processor

Roland proudly introduced a new standard in signal processors the Roland DEP-5 Digital Effects Processor. The Roland DEP-5 incorporates Roland’s most advanced digital technology for great sound and easy programming. Roland digital effects devices are the choice of musicians and engineers the world over. Onstage and in studios, the remarkable SRV series digital reverb units and SDE series digital delays play a vital role in today’s music.

Made In Japan

Released in 1986 /

Otari DTR-900 32-Track Digital Recorder

The Otari DTR-900 is a high-end 32-track digital multitrack recorder using the PD format, offering advanced tape handling, precise sync capabilities, and superior audio fidelity for mastering and post-production applications.

Made In Germany

Released in 1986 /

EMT 246 Digital Reverb

The EMT 246 Digital Reverb, introduced in 1986, delivered exceptional sound quality with the renowned EMT 250 algorithms in a compact and affordable format. Succeeding the EMT 244 and 245, it offered advanced features for natural room simulation and creative effects.

Made In Japan

Released in 1986 /

Akai S900 MIDI Digital Sampler

The Akai S900 is an 8-voice digital sampler with up to 32 sampling points and a frequency range of 7.5 kHz to 40 kHz. It offers up to 63.3 seconds of sampling time, advanced editing features, and supports MIDI mono mode multitracking. With a 20 kHz frequency response and extensive MIDI connectivity, it’s ideal for both studio and live use.

Made In Japan

Released in 1986 /

Yamaha RX5 Digital Rhythm Programmer

Released in 1986, the Yamaha RX5 was a flagship 12-bit digital rhythm programmer offering realistic PCM sounds, deep editing, and advanced MIDI integration. It became a key drum machine in late 1980s pop, funk, R&B, and early electronic music, prized for its flexibility and distinctive sound.

Made In U.S.A.

Released in 1986 /

AKG ADR 68K Digital Reverb + Effects

The AKG ADR 68K is a multifaceted digital audio processor. Although it produces superb reverberation, it is far more than just another digital reverb. It produces a wide range of useful time-based effects.