Cassette Tape Recorders

Cassette tape recording formats, including both stereo and multitrack configurations by Tascam, played a crucial role in audio recording during the late 20th century. Tascam, a pioneering company in audio recording equipment, developed cassette-based systems that offered both convenience and functionality. In the stereo format, cassette tapes allowed for the recording and playback of two audio channels, making them popular for personal use, portable recording, and simple studio setups. Tascam also introduced multitrack cassette recorders, such as the Portastudio series, which enabled musicians to record multiple tracks onto the same tape. These multitrack cassette recorders revolutionised home recording, offering affordable and compact solutions for capturing complex musical arrangements. Despite the advent of digital recording technologies, cassette tape formats by Tascam retain a nostalgic appeal and continue to be celebrated for their simplicity, portability, and iconic contributions to the history of audio recording.

Made In Germany
Released in 1981 /
The Revox B 710 is a four-motor, quartz-synchronised cassette recorder built to professional standards by Studer Revox. It features a direct-drive dual-capstan transport, microprocessor control, and automatic tape-type detection. With separate Dolby B processors for each channel, a quartz-locked time counter, and fully electronic operation, the B 710 delivers long-term stability, precise tape handling, and high-fidelity performance.
Made In Japan
Released in 1982 /
In 1982, Tascam introduced the Tascam 244 Portastudio, revolutionising the recording world, especially for home musicians. This four-track cassette recorder made high-quality multi-track recording more accessible and allowed musicians to create complex demos from home. It also impacted professional studios by enabling artists to pre-produce tracks more efficiently, marking a turning point in music production history.
Made In Japan
Released in 1983 /
The TASCAM 234 Syncaset 4-channel cassette deck was a groundbreaking audio recorder based on the Portastudio transport, that was introduced in 1983. It failed to achieve the wide acceptance of the all mighty Portastudio however.
Made In Japan
Released in 1984 /
The TASCAM 246 is a Four-track, two-speed cassette Portastudio with a full mixer, dbx noise reduction, pitch control, remote and footswitch options, four internal submixes for routing, and memory/zero return for gentle, efficient tape handling.
Made In Switzerland
Released in 1985 /
The Studer A721 is a professional cassette recorder with superb audio performance, reliability, and convenient operating concept, including a four-motor tape transport mechanism and modular audio electronics with automatic record parameter calibration.
Made In Japan
Released in 1987 /
One of the most unusual tape recorders released during the golden period of the 1980s, is without a doubt, the Akai MG14D, a tape based analogue recorder that offered excellent sound quality in a relatively compact chassis, released hot on the heels of a wave of digital multitrack recorders.
Made In Japan
Released in 1987 /
The Akai MG614 Recorder was a high-end cassette multitrack recorder and mixer offering four audio tracks plus a dedicated sync signal on track 1. With a six-channel mixer, twin parametric EQs, dbx noise reduction, dual tape speeds, and a built-in auto locator, it delivered professional features for serious home recording. Designed for seamless MIDI integration and efficient workflow, it was a powerful tool for musicians committed to four-track production.
Made In Japan
Released in 1988 /
TASCAM, in 1988, pulled off the impossible by releasing the TASCAM 238 Syncaset and cramming 8 tracks onto a single cassette tape, and somehow they got it to work without compromising sound quality.
Made In Japan
Released in 1989 /
TASCAM 644 MIDIStudio combines analogue cassette multitrack recording with built-in MIDI synchronisation and a 99-scene recall memory. It offers sixteen inputs on eight channels, dual-mix routing into four busses, two inputs per channel with trim and three-band EQ, two sends, four effect returns and real-time MIDI mute automation.
Made In Japan
Released in 1989 /
The TASCAM 688 MIDIStudio is an eight-channel cassette multitrack recorder with dual-mix routing, built-in MIDI synchronisation, 99-scene recall, real-time MIDI mute automation and extensive EQ, send and insert flexibility for hybrid analogue-MIDI production.
Made In Japan
Released in 1990 /
Released in 1990, the Sony MU-D100 recorder features a design aesthetic that matches the Sony MU-R201, while offering advanced editing capabilities and a highly durable mechanism for professional use.
Made In Japan
Released in 1991 /
The Tascam 488 Portastudio is an eight-track, eight-channel rackmount recording system that combines a twelve-input mixer (eight mono channels with trim and EQ plus two stereo auxiliaries, four group busses and dual effect sends) with a four-track simultaneous overdub recorder at 9.5 cm/s.
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