Compressor/Limiters

Analogue Compressors and limiters are dynamic processing tools used in recording studios to control the dynamic range of audio signals. A compressor works by reducing the level of the loudest parts of a signal, while leaving the quieter parts unaffected. This can help to even out the overall volume of a recording and make it sound more consistent. Limiters work similarly to compressors, but they have a more aggressive ratio and a fixed threshold that won’t allow the signal to go above a certain level. This can be useful for preventing clipping or distortion when recording signals with a high dynamic range. In addition to controlling dynamic range, compressors and limiters can also be used creatively to add character and colour to a recording. For example, some compressors have a “vintage” or “analogue” sound that can add warmth or saturation to a recording, while others can provide a more transparent or clean sound. Some compressors even have specific settings for different instruments or types of signals, such as vocals or drums. Choosing the right compressor or limiter for a particular recording can be a crucial part of the mixing process, as it can greatly affect the final sound of the track.

Related Articles: Vintage Compressor or Replica | The History of Compressor/Limiters | The History of Western Electric

Released in 1997

Symetrix 571 SPL Computer

The Symetrix 571 SPL Computer is an automatic level controller that adjusts system gain based on ambient noise, ensuring clear audio in changing environments. It features microprocessor control, dual sensing microphones, and real-time adjustments without interrupting the audio signal.
Released in 1997

Symetrix 572 SPL Computer

The Symetrix 572 SPL Computer is an automatic level controller that uses the sound system’s loudspeakers to sense ambient noise, adjusting gain accordingly. It offers reliable, cost-effective control for environments with periodic silence, eliminating the need for external microphones.
Released in 1997

Symetrix 501 Compressor Limiter

The Symetrix 501 Peak/RMS Compressor/Limiter combines precise RMS compression with fast peak limiting, offering professional dynamic control for vocals, instruments, and protection against overloads. Renowned for its clarity, flexibility, and reliability.
Released in 1997

DigiTech VCS-1 Dynamics Processor

The DigiTech VCS-1 is a high-performance dynamics controller for recording and live use, featuring a vacuum tube stage, advanced solid-state compression, and “True Logarithmic Compression” for a natural sound. Built with premium components, it ensures clean audio, stability, and long-term reliability after rigorous testing.
Released in 1998

Crane Song Trakker Compressor Limiter

Crane Song Trakker is a high-quality Single Channel Discrete Class A Compressor-Limiter.
Released in 1998

dbx 576 Tube Preamplifier/Compressor

With innovative, state-of-the-art engineering, the dbx 576 Vacuum Tube Preamp/Compressor carries the dbx heritage into the vacuum tube arena.
Released in 1998

dbx 566 Tube Compressor

The inclusion of 2 vacuum tubes makes the dbx 566 Vacuum Tube Compressor no ordinary compressor.
Released in 1998

dbx DDP Digital Dynamics Processor

The dbx DDP offers you the processing power of digital, with the great sounds you know and want from the analogue world. Plus, with digital technology, we can offer you more precise control and extended parameters than you could ever have with analogue processing.
Released in 1998

GML Model 8900 Dynamic Range Controller

GML Model 8900 Dynamic Range Controller, twenty-two years of progressive research into loudness perception resulted in a limiter/compressor unlike any other.
Released in 1999

TL Audio C-1 2-Channel Tube Compressor

The TL Audio C-1 features military-spec valves, gold-plated bases, and backlit VU meters, offering rich sound and durability. With variable controls, direct-to-tape preamps, and a VCA-free gain stage, it delivers transparency, low distortion, and a 5Hz to 70kHz range.
Released in 1999

Maselec MLA-2 Compressor

The Maselec MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.
Released in 1999

Focusrite Compounder Compressor Limiter

The Focusrite Compounder is a high-performance dual mono compressor, limiter, and gate, tailored for audio professionals and project studio owners seeking top-tier quality.