Equalisers

Equalisers, or EQs, are tools used in recording studios to adjust the frequency response of an audio signal. Classic EQ units are typically used to cut or boost certain frequencies, allowing the engineer to shape the overall sound of a recording. The frequency bands that an EQ can adjust can vary, but most common EQs feature a low-frequency band, a mid-frequency band, and a high-frequency band. The engineer can adjust the gain of each band to either cut or boost specific frequency ranges in the audio signal.

Related Articles: Equalising for Spectral Character | The Birth of the Parametric Equaliser

Released in 1978
The MXR Dual Fifteen Band EQ offered precise two-channel frequency control with bands set two-thirds of an octave apart for greater accuracy, particularly in the midrange. Each channel had its own level control, with a ±12dB range per band, housed in a rugged 19-inch rackmount design with quarter-inch connections.
Made In U.S.A.
Released in 1980
The 360 Systems Model 2800 Programmable Equaliser was a fairly unique product at the time of its release in 1980, with its tactile controls and programmability. Using a Z-80 microprocessor and CMOS memory storage, the 360 Systems Model 2800 Programmable Equaliser was able to store up to 28 user created EQ curves.
Made In U.S.A.
Released in 1984
The Ibanez MSP1000 is a versatile processor with a compressor/limiter, graphic EQ, and notch filter. It offers precise control, eliminating feedback and shaping sound without affecting quality.
Made In Japan
Released in 1985
The Boss RGE-10 Graphic Equaliser from 1985 provides fine tonal compensation with 10-Band Graphic Equaliser.
Made In Japan
Released in 1986
The Boss RPQ-10 Preamp Parametric EQ released in 1986, is A 2-band Parametric Equaliser that’s a key performer when creating sounds.
Made In Japan
Released in 1986
The Sony MU-E311 was part of Sony’s complete range of professional audio products, matching the aesthetic, sound quality and build quality of the Sony MU-R201 stereo digital reverb.
Made In Japan
Released in 1988
The Roland E-660 is a versatile two-channel digital equaliser with eight filters for precise sound adjustments, offering flexible configurations and intuitive controls, along with delay capabilities and extensive connectivity options.
Made In Japan
Released in 1988
The Sony MU-E041 is a professional-grade parametric equaliser featuring four-band EQ with independent control, boost/cut level switch, and transformerless balanced input/output circuits.
Made In Japan
Released in 1990
Manley’s modern take on the Pultec EQ – in stereo! – with extra frequencies the original never had; a vastly superior power supply and famous Manley line amps complete the package. Magic on drums, killer on guitars.
Made In U.S.A.
Released in 1990
The Manley Enhanced Pultec Equaliser is Manley’s modern take on the Pultec EQ with extra frequencies the original never had; a vastly superior power supply and famous Manley line amps complete the package. Magic on kick drum, killer on guitars.
Made In U.S.A.
Released in 1991
The TUBE-TECH PE 1C is a passive, all-tube EQ, based on the legendary PULTEC EQP 1A design and featuring a passive EQ section and a high-quality op amp.
Made In Denmark
Released in 1993
This single channel Manley Mid Frequency Equaliser is the secret weapon for vocal, guitar, snare and all the other midrange instruments that are the meat of the mix.
Made In U.S.A.