Equalisers

Equalisers, or EQs, are tools used in recording studios to adjust the frequency response of an audio signal. Classic EQ units are typically used to cut or boost certain frequencies, allowing the engineer to shape the overall sound of a recording. The frequency bands that an EQ can adjust can vary, but most common EQs feature a low-frequency band, a mid-frequency band, and a high-frequency band. The engineer can adjust the gain of each band to either cut or boost specific frequency ranges in the audio signal.

Related Articles: Equalising for Spectral Character | The Birth of the Parametric Equaliser

Released in 2002
The Weiss EQ1 is a seven-band stereo equaliser in a league of its own. It is no coincidence that it has been a staple at world-class mastering and mixing studios for decades.
Made In Switzerland
Released in 2002
The Avalon Design AD2077 Mastering Equaliser is an altruistic design optimising absolute signal integrity. Design features include 100% discrete pure class A signal amplifiers, state-of-the-art passive and active filter topologies and a DC coupled minimalist signal path.
Made In U.S.A.
Released in 2003
The Alesis PEQ450 is a 5-Band Parametric Equaliser and an incredible sound shaping tool in a two rack space unit.
Made In China
Released in 2004
The Alesis DEQ830 8 Channel Digital Graphic EQ offered 8 channels of digital graphic equalisation in a single rack space.
Made In China
Released in 2004
The Alesis DEQ230 2 Channel Digital Graphic EQ offers 30 bands of extremely graphic equalisation control in a single rack space.
Made In China
Released in 2005
The Langevin All-discrete Pultec EQP-1A works the same way as the Manley unit but instead has an ALL-DISCRETE make-up gain amplifier with both balanced and unbalanced inputs and outputs– all completely transformerless.
Made In U.S.A.
Released in 2005
The Empirical Labs Lil FreQ like most Empirical Labs products offers something unique among its peers, in this case 8 processor sections. As with ELI’s other signal processors, the Empirical Labs Big FreQ Equaliser takes a somewhat unique approach to its job.
Made In U.S.A.
Released in 2005
The GML Model 9500 Mastering Parametric Equaliser is the Mastering Version of the GML Model 8200 Parametric Equaliser.
Made In U.S.A.
Released in 2006
The Mercury EQ-H1 is a tube-driven programme equaliser based on the Pultec EQH, offering punchy low-end, silky highs, transformer-balanced paths, and expanded frequencies, all with the warmth and musicality of true passive EQ design.
Made In U.S.A.
Released in 2006
The Mercury EQ-P1 is a valve-driven programme equaliser based on the Pultec EQP-1A, featuring transformer-balanced paths, premium components, and Mercury’s unique I.S.T. Switch, delivering both vintage warmth and a more open, modern character in one unit.
Made In U.S.A.
Released in 2006
The Klark Teknik DN 370 is the latest evolutionary step in a process of design refinement that goes back over 30 years. With DN 370 we’ve started from the ground up and produced a unit that is totally without compromise, and one that we believe is the finest professional graphic equaliser in the world today. It also perfectly complements the existing Klark Teknik range of equalisers, both analogue and digital.
Made In U.K.
Released in 2006
The Tegeler EQP-1 Equaliser delivers vintage analogue sound with bass, treble, and high-frequency controls. Its valve stage and transformers add warmth and clarity, enhancing mixes even when bypassed.
Made In Germany