Other Digital Effects

Digital effects processors showcase the best of digital signal processing, offering multiple effects like reverb, delay, and modulation in one unit. Eventide pioneered this field with the H910 Harmonizer, the first commercially available digital effects processor, combining pitch effects, delay, and feedback. This innovation cemented Eventide’s dominance, culminating in the cutting-edge H9000. Yamaha also made waves with the SPX90 in 1985, a one-rack-space processor featuring reverb, delay, chorusing, and more, leading to a successful SPX series. Other notable players like Alesis, Ensoniq, Korg, Kurzweil, Lexicon, Roland, Sony, and TC Electronic have contributed standout products, including the Ensoniq DP/4, DP/4+, and Sony DPS-V77.

Released in 1995
The TC Electronic M5000 Digital Audio Mainframe is unlike any other effects processor you have ever seen, at least it was at the time…By combining TC DARC technology with the skills of the best signal processing software engineers around the world, we have created the perfect mix of effects you have access to in the TC Electronic M5000 today.
Made In Denmark
Released in 1995
Following on from the huge success Ensoniq enjoyed with the DP/4, the Ensoniq DP/4+ took a successful recipe and added subtle updates to the interface. The Ensoniq DP/4+ creates 24-bit digital effects using four independent processors and features four independent inputs and outputs with full internal mixing capabilities.
Made In U.S.A.
Released in 1995
The Lexicon PCM 80 brings you exciting new effects with extensive processing and control capabilities, and uncompromising sonic clarity. The Lexicon PCM 80 contains a built-in library of 200 preset programs that provide a comprehensive array of effects ranging from beautiful and lush to completely wild.
Made In U.S.A.
Released in 1995
The Ensoniq DP/2 is equally at home in a professional recording studio, home studio, guitar rig, MIDI setup, or PA system. The Ensoniq DP/2 creates 24-bit digital effects using two independent processors and features two independent inputs and outputs with full internal mixing capabilities and discrete stereo processing.
Made In U.S.A.
Released in 1995
The Alesis MidiVerb 4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects. Its excellent effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multieffects.
Made In Malaysia
Released in 1996
The TC Electronic M2000 provides you with a broad palette of high-quality effects enabling you to create magical effects. The true dual engine configuration on the TC Electronic M2000 allows you to run two full-blown effects simultaneously, i.e. on two individual effects sends.
Made In Denmark
Released in 1996
The Lexicon MPX1 was aimed at guitarists/home recording musicians, and while there are programs for guitar, it also makes an excellent all round effects processor. The Lexicon MPX1 multi processor technology gives you multi-effects the way you expect them to work with instant access to individual effects, and the ability to run uncompromised stereo reverb at all times.
Made In U.S.A.
Released in 1996
The Alesis Microverb 4 brought full bandwidth 18 bit effects processing to the masses at an incredibly low price, with limited editing and a mass of presets. While not as flexible as Alesis’s other models, such as the Quadraverb, the Alesis Microverb 4 offered good value for money a range of effects for the home recording musician.
Made In Taiwan
Released in 1996
The Zoom Studio 1204 is a multi-effect processor offering 512 presets with space for 100 custom effects. It features real-time editing, memory mode for quick access to stored effects, and MIDI control. With 18-bit A/D and D/A converters and 44.1 kHz sampling, it delivers professional sound at a budget-friendly price.
Made In Japan
Released in 1997
The Ensoniq DP Pro released in 1997, was the final effects processor to come out of Ensoniq. It came after the success of the DP/4, DP/4+ and DP/2 processors. Unlike the DP/4 & DP/4+, the Ensoniq DP Pro was a stereo effects processor. Sadly, two channels of processing were not all it lost; it also lost the more intuitive interface of the DP/4 series of processors.
Made In U.S.A.
Released in 1997
The Lexicon PCM 81 takes over where the Lexicon PCM 80 left off, and adds AES/EBU Digital I/O, includes algorithms and presets from the Pitch FX and Vocal Fix Cards, and adds 24-bit converters for even higher quality audio.
Made In U.S.A.
Released in 1997
The Zoom Studio 1201 is a digital reverb and multi-effects processor with 363 presets and high-quality specs, including 44.1 kHz sampling and 18-bit converters. It’s ideal for creating dynamic tracks with effects like Lo-Fi and KARAOKE.
Made In Japan