Vintage Digital

Classic Recording Studio Equipment

The Boss RDD-10 Digital Delay released in 1985, delivered studio quality digital delay for the ultimate refinement of basic performance.
The Boss RSD-10 Digital Sampler Delay, released in 1985 offers a two octave plus range and controllable dynamics.
The Boss RBF-10 Flanger from 1985 provided superior signal to noise ratio achieved with Built-In Noise Reduction.
The Boss RPH-10 Phaser from 1985 provides 3 different Phasing Modes that let this Phaser create a multitude of effects.
The Boss RCL-10 Compressor Limiter from 1985 provides four different high-performance functions integrated into a single unit.
The Boss RGE-10 Graphic Equalizer from 1985 provides fine tonal compensation with 10-Band Graphic Equalizer.
The Sony PCM-1630 was used for mastering audio CDs in the early 1980s by most of the major record labels around the world, it was an essential part of early digital audio disc production.
The Yamaha REV7 was more affordable than the REV1 and found a home in many studios world wide. People seem to either love or hate these old Yamaha reverbs, in fact the Yamaha REV7 would have to be one of the most polarizing reverbs there is, with no in between it seems. But make no mistake, there is much love for this classic 1980s reverb!
The Studer A721 is a professional cassette recorder with superb audio performance, reliability, and convenient operating concept, including a four-motor tape transport mechanism and modular audio electronics with automatic record parameter calibration.
The Yamaha SPX90 was released in 1985 as an affordable multi-effects processor for the masses. It remains today a true classic digital effects processor. It is also the most looked at effects processor on this website.
The Lexicon 224X Digital Reverberator provides high-quality simulation of the acoustics of a variety of architectural spaces and a wide variety of special effects. The Lexicon 224X is an advanced two-in, four-out, all-electronic digital reverberation system. Its clean, natural-sounding reverberation is the result of blending digital audio hardware and software disciplines.
The Roland SRV-2000 is one of those classic old Japanese reverbs that while not perfect, is certainly perfect in some situations, and in particular for snare! Yes it is grainy at times, perhaps a little too bright and the reverb tails are not the smoothest, but it is these characteristics that give the Roland SRV-2000 it’s mojo and a place in your studio.