Page 11 – Vintage Digital

Vintage Digital

Classic Recording Studio Equipment

Released in 1987

Boss RRV-10 Digital Reverb

The Boss RRV-10 Digital Reverb, released in 1987 put digital reverb within reach of every musician.

Released in 1987

Boss RCE-10 Chorus Ensemble

The Boss RCE-10 Digital Chorus Ensemble, was a cutting-edge pedal that takes your musical experience to new heights.

Released in 1987

Sony PCM-2500 Digital Recorder

The Sony PCM2500 DAT Recorder took over from the Sony PCM-1630 Series Recorders, and kept the DAT format alive for years to come in the studio, (with many successful albums having been mastered to it) but DAT as a format, failed to succeed in the domestic market.

Released in 1987

Yamaha REV5 Digital Reverberator

The Yamaha Rev5 was a digital effects marvel upon release. It skillfully emulated natural and plate reverberations, granting precise control and superior sound quality. With a 44.1 kHz sampling frequency, it delivered clear, transparent sound across the 20 Hz to 20 kHz spectrum. This was groundbreaking in its time.

Released in 1987

Eventide H3000 D/SE Ultra-Harmonizer®

There is perhaps no more revered effects box in history, as the Eventide H3000. To many it has never been bettered, and never will. More than thirty years since it was first introduced, the Eventide H3000 is still used in studios around the globe and on stage by musicians everywhere.

Released in 1987

Sony MU-L021 Stereo Compressor Limiter

The Sony MU-L021 is a professional stereo compressor limiter designed for use in studios. It features a built-in noise gate, transformerless balanced circuits, and variable control of key parameters. It is rack mountable and ideal for professional applications.

Released in 1987

Korg DRV-3000 Dual Digital Effect Processor

The Korg DRV-3000 is designed and constructed to professional specifications, and incorporates sophisticated state-of-the-art LSI technology to create a wide variety of superb effects. The Korg DRV-3000 can be used in virtually any music situation where high-performance sound processing is required, and is particularly suited to MIDI applications.

Released in 1987

Akai MG14D 12 Track Recorder

One of the most unusual tape recorders released during the golden period of the 1980s, is without a doubt, the Akai MG14D, a tape based analogue recorder that offered excellent sound quality in a relatively compact chassis, released hot on the heels of a wave of digital multitrack recorders..

Released in 1987

Yamaha SPX-50D Digital Sound Processor

Yamaha was on a roll with the great success of their SPX90 and SPX90 II multi-effects processors, and expanded the line up with the SPX50D. The Yamaha SPX50D added distortion to the list of effects, clearly aiming the processor towards guitarists and perhaps trying to compete with the success Eventide were enjoying with their processors.

Released in 1987

Korg DRV-2000 Digital Reverb

The Korg DRV-2000 Digital Reverb is a creative digital reverb that responds like a musical instrument – because it responds to the way you play. The Korg DRV-2000. Much more than a professional 24-bit digital reverberation unit. Much more than a MIDI compatible multi-effects unit, featuring 16 programs like Gate Reverb, Stereo Echo, Flanger, Space Pan, and dual effects programs like Reverb and Echo and Reverb and Chorus.

Released in 1988

Alesis Midiverb II Digital Effects Processor

For anyone holding out on buying the original Alesis Midiverb, the Alesis Midiverb II was enough to convince them it was time to jump on board, including Tommy Emmanuel.

Released in 1988

Roland E-660 Digital Parametric Equalizer

The Roland E-660 is a versatile two-channel digital equalizer with eight filters for precise sound adjustments, offering flexible configurations and intuitive controls, along with delay capabilities and extensive connectivity options.

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