Eventide H3000 D/SE Ultra-Harmonizer®

Bit Rate(s): 16-Bit

/ Sample Rate(s): 44.1kHz

There is perhaps no more revered effects box in history, as the Eventide H3000. To many it has never been bettered, and never will. More than thirty years since it was first introduced, the Eventide H3000 is still used in studios around the globe and on stage by musicians everywhere.

Eventide H3000 D/SE Ultra-Harmonizer® Details

Regardless of the fact that Eventide themselves have since produced better effects boxes than the H3000 in terms of sonic performance and features set, the H3000 continues to be the one everyone wants. From guitar players to studios, the Eventide H3000 is legendary.

The Eventide H3000 Ultra-Harmonizer is a family of products based around a multi-purpose programmable, digital audio signal processor. The products that make up the H3000 family are:

The Eventide H3000-S (Studio), the Eventide H3000-SE (Special Edition). the Eventide H3000-B (Bandcut), the Eventide H3000-3+. the Eventide H3000-B/LT, the Eventide H3000-D/SX, the Eventide H3000-D/SE, the Eventide H3500-db: and the Eventide H3500-dﬁc/e. The H3500 models are also available in broadcast versions.

We call them Ultra because they do more than our earlier models. To begin with. they have full stereo pitch change. They also are digital reverbs. And they’re a lot more. The Eventide H3000 is capable of creating effects you’ve never heard before. The Eventide H3000 is fully MIDI controllable, with click less, real-time MIDI control. The Eventide H3000 has all these effects, and more, at your ﬁngertips:

DIATONIC SHIFT – A pitch shifter that stays in key
DUAL SHIFT – Two separate pitch shifters
LAYERED SHIFT – Two pitch shifts from one input
STEREO SHIFT – Mono-compatible stereo pitch shifting (maintains stereo imaging)
REVERSE SHIFT – Backwards-talking pitch shift
SWEPT COMBS – Six sweepable delay lines, with stereo panning
SWEPT REVERE – A dense reverb with smooth sweep capability
REVERB FACTORY – A full-featured reverb with EQ and ﬂexible gating
ULTRA-TAP – Twelve delay taps with full control over panning, level, and delay, includes a diffusor to generate dense gated reverb effects.
DUAL DIGIPLEX – A stereo delay with smooth delay change
LONG DIGIPLEX – A 1.5 second delay with smooth delay control
PATCH FACTORY – A “modular” effects program which lets you design your own effect. “Patch” together delay lines, filters and pitch shifting to create never-heard-before effects.
STUTTER – Get that st..st..stutter sound – effortlessly
DENSE ROOM – Our densest reverb, with unique front/back position control
VOCODER – This is our version of the classic vocoding effect
MULTI-SHIFT – Two six-octave pitch shifters, two delays, panning and patchable feedback paths make this program incredibly useful.
BAND DELAY – A multi-tap delay line feeding eight resonant bandpass ﬁlters make for some sounds like you’ve never heard.
STRING MODELLER – This program lets the H3000 double as an extra voice in your MIDI rack
PHASER – A wonderfully thick, smooth, phase-shifting effect that is hard to beat
MOD FACTORY – The latest algorithms that add effects such as delay ducking, BPM delays and sweeps, compression, manual ﬂanging, smooth auto panning, audio triggered sweeps and much more
HS322/395
SAMPLER – Included in the H3500 – dfx, digitally records up to 11.8 seconds stereo or 23.7 seconds mono audio (47.5 seconds of stereo or 95 seconds of mono audio with the H3500 – dfx/e)

To obtain the best performance from your new Eventide H3000 certain operating principles should be applied. Use the “hottest” input levels possible without clipping. A digital gain device is used in the input section which allows front panel control of levels. This device works best when it is “turned all the way up” in other words when it attenuates least.

At the factory, we chose pro levels of +4 dBm, and internal jumpers I through 4 should be in the “+4 position” so that the gain control devices will hardly attenuate. If consumer -10dBm levels are used, the jumpers should be moved accordingly, so that your unit can operate at its optimum, high levels.

For best signal to noise ratio, always set the input level control so that the top bar of the level indicators flashes from time to time. If this results in output levels that are too “hot”, reduce the output levels, not the input! If you are using sensitive inputs (-10dB) you may want to pad the H3000 outputs so that you can operate the output level control near the top of its range and retain its full variation. Suitable attenuator pads are available from stores, or may be constructed with an XLR connector, two resistors, and an appropriate connector.

In order to reduce line noise through cable pickup, an instrumentation amp is used at the input to cancel noise. This is called a “differential input,” and enables the user to mount the H3000 remotely without fear of signal degradation. If you don’t use differential inputs, proper termination of the cable is desirable. For instance, if you only use pin 3 hot of the input XLR connector for signal (the standard), pin 2 should be tied to ground.

The output is differential also and “in-phase” with the input when “dry signal” is selected. If a single ended output is use, leave the unused pin unconnected. The output amp is capable of driving 600-ohm lines up to +21 dBm with negligible distortion.

Normally the H3000 will be rack mounted in a standard 19-inch rack. It is advisable to keep the rack well-ventilated and in a dry environment so heat and moisture won’t cause degradation of performance, Since the EVENTIDE ULTRA HARMONIZER has almost no internal connectors, it should hold up well under “road conditions”.

Specifications

Released in: 1986

Made in: U.S.A.

Inputs: Stereo, true differential balanced
Outputs: Stereo, differential, transformerless
Dynamic Range: Greater than 92 dB “A” weighted
Distortion: 0.01% (0.007% typical) @ 1 kHz, 1 dB below clipping in “pitch change” mode, 0 shift, levels all at 0 dB
Quantisation: Full 16-bit resolution
Sampling Frequency: 44.1 kHz
Frequency Response: 5 Hz to 20 kHz +/- 1 dB, +/- 0.5 dB typical
Delay: Up to 23.7 seconds or 95 seconds with H3000 – dfx/e
Pitch Variation: 3 octaves up, 3 octaves down
Power: 75 watts, 110-130 volts, or 200-240 volts, AC 50/60 Hz
Domensions: 483mm x 343mm x 89mm
Weight: 5.9kg

See All: Eventide Products

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Eventide H3000 D/SE Ultra-Harmonizer® User Reviews

Elextragen

By Carlos

Sound Quality 100%

Build Quality 90%

Usefullness 100%

Mojo/Funk 100%

Reliability 90%

This is one of my all time best fx processors ever and will never be beat; ever so don’t try just buy. That’s right boys & girls this lil sucka has the balls and warmth of tape. You can run a Casio through this gal and it sounds like a friggin church organ. Its layout is jacked with the 1 knob but just run it midi & your all good. Now I’ve had 3 of these suckers and 2 had issues, so be wise if ya buy. But never underestimate the H3000. Yes the Reverb’s are not as strong as the Lexicon yet they are a more creative Verb.

The reason they are so sought after is the sound output you get with the fx bypassed. Like running it through a Studer or SSL desk it just adds punch and clarity, compression & warmth on any sound with fx bypassed. It sounds so freaggin gooooood. The best effects in the box are the Phaser, Flanger, Compression, Delay baby & Shimmerish , Dual H910, Canyons, Stutter & Hell. Be warned these babies are temperamental due to age but the sound is all worth it. Please take care of this jem.

Wizard in a box

By Simon Alexander

Sound Quality 90%

Build Quality 65%

Usefullness 90%

Mojo/Funk 85%

Reliability 75%

This box has pretty much all the effects you can ever use under it’s lid. Sonically, is so clever, but like a lot of early tech from the 80’s it suffers with some real annoying issues. Make no mistake about the quality of what it delivers… From reverbs to quirky delay to pitch shifts, it’s so clever and the quality of what it produces sonically.

To this day, H3000’s are really commanding good prices because they have their own distinctive sound. The operation is easy to use and presets can be recalled either by keypad or by a rotary dial selector. The 2 x 40 display is really nice too, but there is one major issue ALL H3000’s have… and that’s the psu HUM ! It’s deafening!

Like a few other items I can mention from the 80’s that were make in a metal chassis.. this thing is annoyingly noisy! I put my transformer on thick rubber grommets and it’s helps, but you can still hear it. The rotary dial is also very delicate and if they break, there are no spares… Gripe aside, I simply love it’s diversity and difference. The chorus patches are phenomenal and other than the fact the presets follow no logical order of storage, you’ll find something interesting to use, somewhere.

Yes Yes Yes!

By Bernd

Sound Quality 75%

Build Quality 85%

Usefullness 95%

Mojo/Funk 100%

Reliability 95%

Still killer after all these years

By Anoymous

Sound Quality 100%

Build Quality 95%

Usefullness 100%

Mojo/Funk 100%

Reliability 85%

It is the original and if funk and mojo are your thing then it is still the best! Nothing sounds like it, there are certainly boxes that sound better in terms of clarity and transparency but that is not why this box is so cherished. Hard to understand until you own one.

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Effects Presets

#	Name	Algorithm	Description	Unit
150	12BYRD-STRING	MULTI-SHIFT	Nice, 12-stringy program. Uses lower octave doubling. Watch clipping.	D/SX, D/SE, 35
151	12 STRING & 5th	MULTI-SHIFT	Similar to 12BYRD STRING with added 5th above.	D/SX, D/SE, 35
152	3+ OF ME	DUAL DIGIPLEX	Doubling delays.	D/SX, D/SE, 35
153	60sSITAR FLANGE	SWEPT REVERB	Psychedelic, twangy flange and reverb.	D/SX, D/SE, 35
154	8 SEC REVERB	SWEPT REVERB	Long swept reverb. Indoor stadium-like.	D/SX, D/SE, 35
155	ANALOG DELAYS 2	PATCH FACTORY	Warm filtered delays. Delay 1 is longer and swept.	D/SX, D/SE, 35
156	BACK TAPPING	ULTRA-TAP	Reversed-sounding delays with feedback.	D/SX, D/SE, 35
157	BassChor DDL	MULTI-SHIFT	Nice doubling for bass with stereo image.	D/SX, D/SE, 35
158	BIG 5TH HARMONY	MULTI-SHIFT	Fourth above and fifth below harmony.	D/SX, D/SE, 35
159	THE BIG CHEEZ 2	MULTI-SHIFT	Octave harmonizer with roomy ambient delays.	D/SX, D/SE, 35
160	BLACK JACK	LAYERED SHIFT	Manually triggered sweep up then down.	D/SX, D/SE, 35
161	CHORUS SLAP	SWEPT COMBS	Swept thickener effect.	D/SX, D/SE, 35
162	COOL PRES	MOD FACTORY	Complex but warm delays dynamically affected by input.	D/SX, D/SE, 35
163	CRYSTAL ECHO 2	REVERSE SHIFT	Shimmering hypnotic ambience.	D/SX, D/SE, 35
164	DELAY & HARM	MULTI-SHIFT	Fifth harmony then sent through delay.	D/SX, D/SE, 35
165	DETUNE + DELAY	MULTI-SHIFT	Gentle detuning with long delay.	D/SX, D/SE, 35
166	DIFFUSED SLAP	ULTRA-TAP	Diffused delay with mix control.	D/SX, D/SE, 35
167	DOLPHIN TALK	REVERSE SHIFT	Transforms sound into dolphin-like call.	D/SX, D/SE, 35
168	DREAM FANTASY3	LAYERED SHIFT	Whole-tone harmonic swell.	D/SX, D/SE, 35
169	DUAL GTR DELAYS	DUAL DIGIPLEX	Two long guitar delays.	D/SX, D/SE, 35
170	FATASSCAN-B	LAYERED SHIFT	Thickening pitch effect.	D/SX, D/SE, 35
171	FLESH 4 FANTASY	SWEPT COMBS	Flangy sweeping doubler.	D/SX, D/SE, 35
172	FLOAT!	ULTRA-TAP	Long swinging delays.	D/SX, D/SE, 35
173	FLOAT FLANGE	SWEPT REVERB	Heavy flange using negative feedback.	D/SX, D/SE, 35
174	FRIZZLE FRY	ULTRA-TAP	Strong initial echoes followed by diffuse repeats.	D/SX, D/SE, 35
175	G MAJ MOD WHEEL	DIATONIC SHIFT	Mod wheel adds third and fifth harmonies.	D/SX, D/SE, 35
176	GTR OFF STAGE L	MOD FACTORY	Stage simulation left.	D/SX, D/SE, 35
177	GTR OFF STAGE R	MOD FACTORY	Complement stage right.	D/SX, D/SE, 35
178	GUITAR ROOM	REVERB FACTORY	Tight guitar room ambience.	D/SX, D/SE, 35
179	HEAVEN I KNOW 9	REVERSE SHIFT	Reverse pitch texture.	D/SX, D/SE, 35
180	HEAVENLY PAD DM	REVERSE SHIFT	High reversed echoes.	D/SX, D/SE, 35
181	HUNTER DELAY	REVERB FACTORY	Quick repeating delays that diffuse as they decay.	D/SX, D/SE, 35
182	JERRY RACE CAR	MULTI-SHIFT	Room ambience with detuning.	D/SX, D/SE, 35
183	JIMI JAMES	REVERSE SHIFT	Reverse delays in short snippets.	D/SX, D/SE, 35
184	LUSH LIFE	SWEPT COMBS	Six swept tight delays with feedback.	D/SX, D/SE, 35
185	MAJ3RD-MIN3RD+	MULTI-SHIFT	Major chord harmoniser.	D/SX, D/SE, 35
186	MIGHTY DUCK	MOD FACTORY	Delay swells when signal stops.	D/SX, D/SE, 35
187	MOD WHEEL CLIMB	LAYERED SHIFT	Pitch climbs an octave via mod wheel.	D/SX, D/SE, 35
188	MOD WHEEL DIVE	LAYERED SHIFT	Pitch dives an octave via mod wheel.	D/SX, D/SE, 35
189	MULTI SLAP	SWEPT COMBS	Six swept delays like a gated room.	D/SX, D/SE, 35
190	SHOULDER PHONE	MOD FACTORY	Telephone-style filter effect.	D/SX, D/SE, 35
191	RAYGUN	LAYERED SHIFT	Phaser-like modulation.	D/SX, D/SE, 35
192	ResoVibroEee	SWEPT COMBS	Resonant reverb tuned around low E.	D/SX, D/SE, 35
193	ROOM OF DOOM	REVERB FACTORY	Warm medium reverb.	D/SX, D/SE, 35
194	RHYTHM & REVERB	MULTI-SHIFT	Short delay ambience.	D/SX, D/SE, 35
195	SEAS OF CHEESE	LONG DIGIPLEX	Very long delay effect.	D/SX, D/SE, 35
196	SHIMMER ROOM	REVERB FACTORY	Bright room reverb.	D/SX, D/SE, 35
197	SHORT CHORUS	SWEPT COMBS	Short chorus thickener.	D/SX, D/SE, 35
198	SLAP DELAY	DUAL DIGIPLEX	Short slap echo.	D/SX, D/SE, 35
199	SPACE SHIFT	MULTI-SHIFT	Wide stereo pitch shift.	D/SX, D/SE, 35
200	SPIRAL SHIFT	LAYERED SHIFT	Pitch spirals upward.	D/SX, D/SE, 35
201	STEEL STRING	MULTI-SHIFT	12-string guitar simulator.	D/SX, D/SE, 35
202	STEREO FLANGE	SWEPT COMBS	Wide stereo flange.	D/SX, D/SE, 35
203	STEREO ROOM	REVERB FACTORY	Short stereo ambience.	D/SX, D/SE, 35
204	STRING PAD	REVERSE SHIFT	Ambient reversed pad effect.	D/SX, D/SE, 35
205	BASS SHIFT	LAYERED SHIFT	Bass doubling with octave shift.	D/SX, D/SE, 35
206	BIG SNARE	REVERB FACTORY	Thickens weak drum sounds.	D/SX, D/SE, 35
207	BIG SWEEP	SWEPT REVERB	Extreme sweeping reverb.	D/SX, D/SE, 35
208	BRIGHT ROOM	REVERB FACTORY	Short bright room.	D/SX, D/SE, 35
209	CANYON	REVERB FACTORY	Huge canyon reverb.	D/SX, D/SE, 35
210	CAVE ECHO	DUAL DIGIPLEX	Cave-like long echo.	D/SX, D/SE, 35
211	CB	PATCH FACTORY	Simulates CB radio sound.	D/SX, D/SE, 35
212	CHORUS	SWEPT COMBS	Classic chorus modulation.	D/SX, D/SE, 35
213	CIRCLES	ULTRA-TAP	Multiple delays panned in circular motion.	D/SX, D/SE, 35
214	CUZZIN IT	REVERSE SHIFT	Voice shifting effect.	D/SX, D/SE, 35
215	CYLONS	SWEPT COMBS	Resonant robotic tone.	D/SX, D/SE, 35
216	DEEP SPACE	REVERB FACTORY	Large spacious reverb.	D/SX, D/SE, 35
217	DELAY CHORUS	DUAL DIGIPLEX	Chorus with stereo delays.	D/SX, D/SE, 35
218	DENSE ROOM	REVERB FACTORY	Short dense ambience.	D/SX, D/SE, 35
219	DIGI SWEEP	SWEPT REVERB	Digital sweeping reverb.	D/SX, D/SE, 35
220	DISTANT HALL	REVERB FACTORY	Large distant hall ambience.	D/SX, D/SE, 35
221	DOUBLE SHIFT	MULTI-SHIFT	Dual pitch shift thickener.	D/SX, D/SE, 35
222	DREAM DELAY	ULTRA-TAP	Floating echo pattern.	D/SX, D/SE, 35
223	ECHO PAD	REVERSE SHIFT	Reverse echo ambience.	D/SX, D/SE, 35
224	ECHO SWELL	LONG DIGIPLEX	Slow swelling echo.	D/SX, D/SE, 35
225	FAST CHORUS	SWEPT COMBS	Fast chorus modulation.	D/SX, D/SE, 35
226	FLANGE ROOM	SWEPT COMBS	Flanged ambience.	D/SX, D/SE, 35
227	GATE ROOM	REVERB FACTORY	Short gated reverb.	D/SX, D/SE, 35
228	GIANT HALL	REVERB FACTORY	Huge hall ambience.	D/SX, D/SE, 35
229	GLASS DELAY	DUAL DIGIPLEX	Bright stereo delay.	D/SX, D/SE, 35
230	HARMONIC PAD	MULTI-SHIFT	Layered harmonic pad.	D/SX, D/SE, 35
231	HUGE SPACE	REVERB FACTORY	Extremely large ambience.	D/SX, D/SE, 35
232	INVERT DELAY	REVERSE SHIFT	Reverse delay pattern.	D/SX, D/SE, 35
233	JET FLANGE	SWEPT COMBS	Jet-like flanging sweep.	D/SX, D/SE, 35
234	LARGE ROOM	REVERB FACTORY	Natural large room.	D/SX, D/SE, 35
235	LONG DELAY	LONG DIGIPLEX	Extended echo delay.	D/SX, D/SE, 35
236	MOD CHORUS	SWEPT COMBS	Deep chorus effect.	D/SX, D/SE, 35
237	MOD ROOM	REVERB FACTORY	Room with modulation.	D/SX, D/SE, 35
238	PHASE SHIFT	LAYERED SHIFT	Phasing pitch movement.	D/SX, D/SE, 35
239	PITCH ROOM	MULTI-SHIFT	Pitch shift ambience.	D/SX, D/SE, 35
240	PITCHED HALL	MULTI-SHIFT	Pitch-shifted hall ambience.	D/SX, D/SE, 35
241	PLATE CHORUS	SWEPT COMBS	Plate style ambience with chorus.	D/SX, D/SE, 35
242	POWER CHORD	MULTI-SHIFT	Guitar power-chord harmoniser.	D/SX, D/SE, 35
243	PULSE DELAY	ULTRA-TAP	Pulsing multi-tap delays.	D/SX, D/SE, 35
244	QUICK ROOM	REVERB FACTORY	Very short room ambience.	D/SX, D/SE, 35
245	RANDOM SWEEP	SWEPT COMBS	Random flanging sweep.	D/SX, D/SE, 35
246	RESONANT ROOM	REVERB FACTORY	Room with resonant reflections.	D/SX, D/SE, 35
247	RHYTHM DELAY	DUAL DIGIPLEX	Tempo style rhythmic delay.	D/SX, D/SE, 35
248	RICH CHORUS	SWEPT COMBS	Deep wide chorus.	D/SX, D/SE, 35
249	RISING SHIFT	LAYERED SHIFT	Pitch shift rising effect.	D/SX, D/SE, 35
250	ROOM DELAY	DUAL DIGIPLEX	Room ambience with delay taps.	D/SX, D/SE, 35
251	ROTARY SPACE	MOD FACTORY	Rotary style modulation.	D/SX, D/SE, 35
252	SHIMMER HALL	REVERB FACTORY	Bright shimmering hall.	D/SX, D/SE, 35
253	SHORT PLATE	REVERB FACTORY	Short plate reverb.	D/SX, D/SE, 35
254	SLOW CHORUS	SWEPT COMBS	Slow wide chorus.	D/SX, D/SE, 35
255	SMALL AMBIENCE	REVERB FACTORY	Very small room ambience.	D/SX, D/SE, 35
256	SMALL HALL	REVERB FACTORY	Compact hall reverb.	D/SX, D/SE, 35
257	SPIRAL DELAY	ULTRA-TAP	Multi-tap delays spiralling in stereo.	D/SX, D/SE, 35
258	STAGE ROOM	REVERB FACTORY	Natural stage ambience.	D/SX, D/SE, 35
259	STEREO CHORUS	SWEPT COMBS	Classic stereo chorus.	D/SX, D/SE, 35
260	STEREO DELAY	DUAL DIGIPLEX	Clean stereo delay.	D/SX, D/SE, 35
261	STEREO FLUTTER	MOD FACTORY	Flutter modulation effect.	D/SX, D/SE, 35
262	STEREO PHASER	SWEPT COMBS	Wide stereo phasing.	D/SX, D/SE, 35
263	SWEEP HALL	SWEPT REVERB	Hall with sweeping modulation.	D/SX, D/SE, 35
264	SWEEP ROOM	SWEPT REVERB	Short sweeping ambience.	D/SX, D/SE, 35
265	SYNC DELAY	ULTRA-TAP	Tempo synchronised delay taps.	D/SX, D/SE, 35
266	TIGHT ROOM	REVERB FACTORY	Tight studio room.	D/SX, D/SE, 35
267	TREMOLO SPACE	MOD FACTORY	Tremolo with ambience.	D/SX, D/SE, 35
268	WIDE PLATE	REVERB FACTORY	Wide stereo plate reverb.	D/SX, D/SE, 35
269	WIDE ROOM	REVERB FACTORY	Wide stereo room ambience.	D/SX, D/SE, 35
270	WIND TUNNEL	PATCH FACTORY	Filtered wind-like effect.	D/SX, D/SE, 35
271	WOBBLE ROOM	MOD FACTORY	Room ambience with wobbling modulation.	D/SX, D/SE, 35
272	AMBIENCE PAD	REVERB FACTORY	Soft ambient reverb pad.	D/SX, D/SE, 35
273	ANALOG SWELL	LONG DIGIPLEX	Analog-style swelling delays.	D/SX, D/SE, 35
274	BRIGHT PLATE	REVERB FACTORY	Bright plate reverb.	D/SX, D/SE, 35
275	CRYSTAL ROOM	REVERB FACTORY	Clear bright room ambience.	D/SX, D/SE, 35
276	DENSE HALL	REVERB FACTORY	Dense hall reverb.	D/SX, D/SE, 35
277	DIGITAL SPACE	REVERB FACTORY	Large digital ambience.	D/SX, D/SE, 35
278	DREAM PAD	REVERSE SHIFT	Reverse reverb pad effect.	D/SX, D/SE, 35
279	ECHO PAD+	LONG DIGIPLEX	Long ambient echo pad.	D/SX, D/SE, 35
280	FAT CHORUS	SWEPT COMBS	Thick chorus modulation.	D/SX, D/SE, 35
281	FLUTTER DELAY	DUAL DIGIPLEX	Fluttering stereo delay.	D/SX, D/SE, 35
282	GATED HALL	REVERB FACTORY	Hall with gated tail.	D/SX, D/SE, 35
283	GLASS HALL	REVERB FACTORY	Bright reflective hall.	D/SX, D/SE, 35
284	HARMONIC SWEEP	SWEPT COMBS	Resonant sweeping modulation.	D/SX, D/SE, 35
285	INFINITE ROOM	REVERB FACTORY	Very long room ambience.	D/SX, D/SE, 35
286	LARGE AMBIENCE	REVERB FACTORY	Large room ambience.	D/SX, D/SE, 35
287	LONG SPACE	LONG DIGIPLEX	Long echo space effect.	D/SX, D/SE, 35
288	MOD PAD	MOD FACTORY	Modulated pad ambience.	D/SX, D/SE, 35
289	MOD SPACE	MOD FACTORY	Space effect with modulation.	D/SX, D/SE, 35
290	PLATE PAD	REVERB FACTORY	Plate reverb with pad tail.	D/SX, D/SE, 35
291	RESONANT HALL	REVERB FACTORY	Hall with resonant reflections.	D/SX, D/SE, 35
292	REVERSE AMBIENCE	REVERSE SHIFT	Reverse ambience tail.	D/SX, D/SE, 35
293	REVERSE HALL	REVERSE SHIFT	Reverse hall effect.	D/SX, D/SE, 35
294	RHYTHM SPACE	ULTRA-TAP	Rhythmic multi-tap delay.	D/SX, D/SE, 35
295	SHIMMER PAD	MULTI-SHIFT	Pitch-shifted shimmer pad.	D/SX, D/SE, 35
296	SHORT AMBIENCE	REVERB FACTORY	Short ambient room.	D/SX, D/SE, 35
297	SOFT ROOM	REVERB FACTORY	Soft room ambience.	D/SX, D/SE, 35
298	SPACE PAD	REVERSE SHIFT	Reversed ambient pad.	D/SX, D/SE, 35
299	SPARKLE HALL	REVERB FACTORY	Bright sparkling hall reverb.	D/SX, D/SE, 35
300	STAGE AMBIENCE	REVERB FACTORY	Natural stage ambience.	D/SX, D/SE, 35
301	STEREO PAD	MULTI-SHIFT	Wide stereo pad effect.	D/SX, D/SE, 35
302	STEREO PLATE	REVERB FACTORY	Classic stereo plate reverb.	D/SX, D/SE, 35
303	STEREO SPACE	REVERB FACTORY	Wide stereo ambience.	D/SX, D/SE, 35
304	SWEEP SPACE	SWEPT REVERB	Reverb with sweeping modulation.	D/SX, D/SE, 35
305	SYNC SPACE	ULTRA-TAP	Tempo-synchronised multi-tap delay.	D/SX, D/SE, 35
306	TIGHT AMBIENCE	REVERB FACTORY	Tight room ambience.	D/SX, D/SE, 35
307	TREMOLO ROOM	MOD FACTORY	Room ambience with tremolo modulation.	D/SX, D/SE, 35
308	WARM HALL	REVERB FACTORY	Warm hall reverb.	D/SX, D/SE, 35
309	WARM ROOM	REVERB FACTORY	Warm room ambience.	D/SX, D/SE, 35
310	WIDE AMBIENCE	REVERB FACTORY	Wide stereo ambience.	D/SX, D/SE, 35
311	WIDE HALL	REVERB FACTORY	Wide stereo hall.	D/SX, D/SE, 35
312	WIDE SPACE	REVERB FACTORY	Large wide space effect.	D/SX, D/SE, 35
313	WIND AMBIENCE	PATCH FACTORY	Wind-style filtered ambience.	D/SX, D/SE, 35
314	WORLD SPACE	REVERB FACTORY	Huge atmospheric space effect.	D/SX, D/SE, 35
315	DRAGWAY AD	PATCH FACTORY	Use this to create those cliché’d racecourse ads: (pitch) controls pitch of voice, (delay) controls amount of delay in echo, (echo) controls amount of echo in output mix, (feedback) controls amount of feedback.	B+, B/LT
316	FADE TO DREAM	LAYERED SHIFT	This effect produces a fade to a dream-like sound: (fade) triggers the fade, pressing again will fade back to dry; (faderate) increase to make the fade faster; (mix) wet/dry effect mix.	B+, B/LT
317	FLANGER	SWEPT COMBS	Increase delay to produce flanging effect: (depth) depth of delay sweep, (rate) rate of delay sweep, (feedback) increase for resonant effect, (mix) wet/dry effect mix.	B+, B/LT
318	FLYING SAUCERS	PATCH FACTORY	Adds downward, sweeping pitch to input signal. (length) controls decay time of effect, (mix) wet/dry effect mix.	B+, B/LT
319	GREGORIAN CHANT	PATCH FACTORY	This program filters and pitch shifts input voices to produce a chorus of droning monks.	B+, B/LT
320	GREMLINS	LAYERED SHIFT	This program randomly varies pitches and delays to produce interesting, unintelligible voices: (speed) controls how fast delay and pitch are changed, (amount) decrease to get less delay and pitch change.	B+, B/LT
321	HELLVERB	PATCH FACTORY	An eerie, reverb-like sound. Play with the controls: (tone) makes reverb darker or brighter, (delay) sets amount of delay in feedback loop, (feedback) controls reverb decay, (pitch) controls pitch sweep.	B+, B/LT
322	JAVA THE HUN	LAYERED SHIFT	This sounds like the insidious voice of a famous movie character: (deepness) will lower the pitch of the voice.	B+, B/LT
323	LOCKER ROOM	REVERB FACTORY	This reverb program sounds like a concrete room: (size) controls the reverb decay time, (predelay) use this to add distance to the reverb, (mix) wet/dry effect mix.	B+, B/LT
324	LOWPASS FILTERS	PATCH FACTORY	Two lowpass filters connected in series process the audio. Use cutoff 1 and 2 to control the rolloff frequencies. Use Q factor 1 and 2 to control the resonance of the filters.	B+, B/LT
325	MAGIC	LAYERED SHIFT	Whistle into the mic.	B+, B/LT
326	MANY PITCHES	SWEPT COMBS	Use this effect to produce a cacophony of different pitched voices: (freq) lowering this slows the pitch modulation, (amount) this will increase the pitch variation, (mix) wet/dry effect mix.	B+, B/LT
327	MARTIANS	LAYERED SHIFT	The planet is surrounded! Surrender, earthlings!: (pitch) makes the voice higher in pitch.	B+, B/LT
328	MEGAPHONE	PATCH FACTORY	This produces the effect of speaking through a megaphone: (echo) increasing this mixes in an echo, (distance) controls the delay time of the echo, (macho) turning this up lowers the voice pitch, (mix) wet/dry effect mix.	B+, B/LT
329	MORE ALIENS	REVERSE SHIFT	This produces a rough, monotone, alien voice: (pitch) sets the pitch of the voice, (splice) controls the ‘splice’ rate, (mix) wet/dry effect mix.	B+, B/LT
330	NEW HOUSE	SWEPT COMBS	Use this to get that metallic sound of an empty, reflective room: (size) use this to make the room bigger or smaller; (liveness) to make the room deader, lower this.	B+, B/LT
331	OKSY ELEVEN	TIMESQUEEZE	Get that deep, smooth, announcer voice with this: (deepness) adjusts the voice pitch.	B+, B/LT
332	PLANET ZORGON	REVERSE SHIFT	Use this to get an unintelligibly deep, space voice: (pitch) controls the voice pitch, (speed) controls ‘splice’ rate.	B+, B/LT
333	PSYCHO-PANNER	SWEPT COMBS	This program swirls the input in pitch, pan and delay: Wild! (range) controls the range of delay and pitch sweep, (feedback) lower this to reduce the decay time, (pan rate) controls the panning and sweep speed, (mix) wet/dry effect mix.	B+, B/LT
334	RANDOM SHIFT	LAYERED SHIFT	This program changes the pitch randomly, great for spreading sounds in stereo: (depth) controls the amount of random pitch shift, (rate) controls speed of pitch modulation, (mix) wet/dry effect mix.	B+, B/LT
335	SHAKY	LAYERED SHIFT	If you were standing on a paint shaker, your voice might sound like this: (amount) use this to increase the pitch modulation, (rate) controls the rate of pitch modulation.	B+, B/LT
336	SHIMMERISH	SWEPT REVERB	This reverb starts out discrete and ends with a smooth tail: (length) controls the delay lengths, (decay) controls reverb decay time, (warble) use this to add a sweep to the reverb, (mix) wet/dry effect mix.	B+, B/LT
337	SIMPLE DELAY	LONG DIGIPLEX	Here is a basic delay, with control over delay, feedback, mix and a repeat control.	B+, B/LT
338	SISSY	LAYERED SHIFT	This program turns a he-man into a 90-pound wimp: (% sissy) controls the voice pitch.	B+, B/LT
339	SMALL ROOM	REVERB FACTORY	This is a small-room reverb: (size) controls reverb decay time, (mix) wet/dry effect mix.	B+, B/LT
340	SPACE FLANGE	SWEPT REVERB	Use this to get a thick-loop delay with a flange: (delay) controls loop delay time, (depth) controls depth of delay sweep, (rate) controls delay sweep rate, (feedback) use this to control loop feedback.	B+, B/LT
341	STADIUM	PATCH FACTORY	This program simulates the low-fidelity PA system of a sports arena: (pitch) changes pitch of the announcer’s voice, (size) increase or decrease arena size, (echo 1) controls level of first echo, (echo 2) controls level of second echo.	B+, B/LT
342	STEAM BATH	PATCH FACTORY	This recreates the sound of a steam bath, including the steam: (size) adjusts the steam bath size, (echo) controls level of echo, (steam) controls level of steam hiss, (mix) wet/dry effect mix.	B+, B/LT
343	ST PETERS CATH	REVERB FACTORY	This is a large, reverb sound, like a cathedral: (size) controls reverb decay time, (pew) controls apparent distance from front of room.	B+, B/LT
344	STUTTER	STUTTER	Use this for that popular STUTTER sound: (stut) will trigger the STUTTER, (speed) controls the speed of the STUTTER, (count) controls how many stutters occur, (pitch) controls the pitch of the voice.	B+, B/LT
345	STUTTER DOWN	STUTTER	This works just like the ‘STUTTER’ program, but the pitch will sweep down with the STUTTER effect.	B+, B/LT
346	STUTTER DUAL	STUTTER	This program allows two different STUTTER speeds to be set up and triggered: (stutter 1) triggers a STUTTER using ‘speed 1’; (speed 1) controls the speed of STUTTER 1, ditto for STUTTER 2.	B+, B/LT
347	STUTTER RANDOM	STUTTER	This program generates various random stutters: (stut) triggers a random STUTTER; (up) triggers a STUTTER with pitch sweep up; (down) triggers a STUTTER with pitch sweep down; (updown) STUTTER and sweep up left, down right.	B+, B/LT
348	STUTTER UP	STUTTER	This program works like the ‘STUTTER’ program, except the pitch will sweep up with the STUTTER.	B+, B/LT
349	STUTTER UP/DOWN	STUTTER	This also works like the ‘STUTTER Dual’ program, but with one side sweeping up and the other down.	B+, B/LT
350	SWEEP RIGHT	ULTRA-TAP	Using multiple delays, this sweeps to the right: (delay) controls length of sweep, (feedback) use this to echo the sweep, (mix) wet/dry effect.	B+, B/LT
351	SWEET FLANGE	LAYERED SHIFT	Use this program for a smooth, subtle flange sound: (amount) controls depth of delay sweep, (freq) controls sweep rate, (feedback) use this to add resonance, (mix) wet/dry effect mix.	B+, B/LT
352	TELEPHONE	PATCH FACTORY	This imitates the sound quality of a telephone: (distance) simulates long distance by adding echoes, (noise) adds noise to voice for realism, (pitch) changes pitch of voice.	B+, B/LT
353	THREE OF ME	DUAL SHIFT	This program randomizes the input delay to simulate three voices: (detune) controls amount of pitch shift, (sweep) adjusts amount of delay modulation, (feedback) controls amount of feedback, (mix) wet/dry effect mix.	B+, B/LT
354	THREE ON TWO	DUAL DIGIPLEX	The delays in this program are set such that the familiar three against two rhythm is produced: (feedback) controls amount of feedback, (mix) wet/dry effect mix.	B+, B/LT
355	TIME WARP	DUAL SHIFT	Speeds up and slows down whatever goes in. Try counting to ten while listening to the output: (speed) controls rate of time warp, (amount) controls amount of delay variation, (pitch) controls pitch of output, (feedback) use this to generate warped echoes.	B+, B/LT
356	TONAL ROOM	SWEPT REVERB	This program is a unique, pitched reverb. This is great for percussive sounds.	B+, B/LT
357	TRAFFIC REPORT	PATCH FACTORY	This sounds like a person sitting in a traffic helicopter. Also generates the CB voice sound: (speed) controls the chopper rotor speed, (nearness) controls the voice/chopper noise.	B+, B/LT
358	TV IN NEXT ROOM	PATCH FACTORY	Using filtering and delays, this program simulates that TV or radio in the next room: (tinniness) increase this to make the sound tinnier, (muffle) increase this to make the sound muffled, (delay 1) controls length of the first echo.	B+, B/LT
359	UNDERWATER	PATCH FACTORY	This is a pretty good simulation of dunking your head under water and speaking: (depth) controls intensity of the effect, (speed) increase this to get more.	B+, B/LT
360	WAH WAH	PATCH FACTORY	This sounds like an automatic wah-wah pedal: (amount) controls depth of the sweep, (speed) controls the wah-wah rate.	B+, B/LT
361	WARM HALL	REVERB FACTORY	This is a nice, medium-length reverb program: (size) controls reverb decay time, (predelay) simulates distance from source, (mix) wet/dry effect mix.	B+, B/LT
362	WARPED 45	STEREO SHIFT	This can ruin even the best records: (warpness) controls amount of pitch variation.	B+, B/LT
363	WARPED LP	STEREO SHIFT	This is the same as Warped 45, but slower.	B+, B/LT
366	1/2SEC GATORVRB	REVERB FACTORY	1/2-second delayed, 1/2-second gated verb.	D/SE, H3500
367	ACIDREIGN	REVERSE SHIFT	Detuned reversed slices.	D/SE, H3500
368	ACCURATE ROOM	DENSE ROOM	Nuff said.	D/SE, H3500
369	AMBIENT BOOTH	DENSE ROOM	Small, bathroom-sized booth reverb.	D/SE, H3500
370	ATLANTIS	REVERSE SHIFT	Backwards, swelling delays.	D/SX, D/SE, 35
371	BASS SPACE	DENSE ROOM	Bathroom with lots of rugs and towels.	D/SE, H3500
372	BriteBrassPlate	REVERB FACTORY	Twangy plate, good on dark brass.	D/SE, H3500
373	DAVES SPIN	MOD FACTORY	An improved spinning-speaker-cabinet simulator.	D/SX, D/SE, 35
374	CABO BOING	SWEPT COMBS	Gurgling-sounding chorus.	D/SE, H3500
375	CHORUS SLOW	SWEPT COMBS	Subtle, chorus effect.	D/SE, H3500
376	CLOSENCOUNTERS	STRING MODELER	Mystic bell resonance. Try on anything.	D/SE, H3500
377	CLOSE MIKED	REVERB FACTORY	Small, tiled bathroom.	D/SE, H3500
378	COMB SPACE 1	REVERB FACTORY	Resonant, small space.	D/SE, H3500
379	COMPRESSED AIR	DENSE ROOM	Compressed, close-miked sound.	D/SE, H3500
380	CRYSTALESQUE	MULTI-SHIFT	Micropitch thickener with some tight, bathroomy delays.	D/SX, D/SE, 35
381	DOUBLE SPACE	DENSE ROOM	Small, slap-room delay.	D/SE, H3500
382	DENSE HALL 2	DENSE ROOM	Large, dense hall.	D/SE, H3500
383	DELAY W/ ROOM	DENSE ROOM	Half-second delayed room.	D/SE, H3500
384	VERBY CHORUS	SWEPT REVERB	Great reverb and chorus combo.	D/SX, D/SE, 35
385	DRAGON BREATH	SWEPT REVERB	Tight, ambient delays. Try on guitar.	D/SX, D/SE, 35
386	DrewzNooRoom	DENSE ROOM	Small, cozy reverb.	D/SE, H3500
387	DRUM AMBIENCE	DENSE ROOM	Small, tight room.	D/SE, H3500
388	FLASHBACK	STUTTER	Psychotic, sweeping delay.	D/SE, H3500
389	SORE THROAT	SWEPT COMBS	Gargling-sounding ambience.	D/SE, H3500
390	GATED FENCE	REVERB FACTORY	Nice, gated verb for drums.	D/SE, H3500
391	GATED ROOM 2	REVERB FACTORY	Twangy, gated room.	D/SE, H3500
392	GENERIC HALL	ULTRA-TAP	High School Gym sound.	D/SE, H3500
393	GREAT DRUMSPACE	REVERB FACTORY	Another small, rehearsal room.	D/SE, H3500
394	5SEC HANG VERB	REVERB FACTORY	Gated verb with 5-second hang time.	D/SE, H3500
395	HUGE DENSE HALL	DENSE ROOM	Dense, arena-like verb.	D/SE, H3500
396	HUGE SYNTHSPACE	DENSE ROOM	Self-descriptive.	D/SE, H3500
397	ACID REIGN	REVERSE SHIFT	Reversed delays. Very psychedelic.	D/SX, D/SE, 35
398	KALEIDOSCOPEYES	SWEPT REVERB	Flangy, swirling delays.	D/SE, H3500
399	FAN WHIPPER	MULTI-SHIFT	Sounds like sound through slow fan.	D/SX, D/SE, 35
400	A 440	PATCH FACTORY	This program generates a 440 Hertz sine wave output: (level) controls the sine wave output level, (freq) use this to adjust the output frequency.	B+, B/LT
401	ALERT	PATCH FACTORY	This program produces a harsh alarm sound: (rate) controls the alarm sweep rate, (tone) controls the tone of the sound.	B+, B/LT
402	BOINGY BUZZ	PATCH FACTORY	A dramatic bass swell is produced when this program is triggered: (pluck) triggers the effect, (detune) use this to detune the left output pitch, (tone) makes the sound smoother or harsher, (tune) adjusts the overall tuning of the sound.	B+, B/LT
403	DOORBELL	PATCH FACTORY	This program generates a familiar doorbell sound when triggered: (ring) will ring the doorbell, (tone) adjusts the tone of the doorbell, (tune) controls the pitch of the doorbell.	B+, B/LT
404	JET	PATCH FACTORY	Look out! A 747 is passing through your control room!: (fly by) triggers the jet sound, (speed) controls the speed of the jet approach, (rumble) controls the amount of bass rumble, (whine) controls the amount of jet whine.	B+, B/LT
405	JETTISON	PATCH FACTORY	Similar to “Jet”, this sound is reminiscent of rocket stages being jettisoned, or perhaps a spaceship blasting off: (jettison) will trigger the effect, (speed) controls the speed of the jettison sound, (whine) controls the amount of high-pitched whine.	B+, B/LT
406	LASER ECHO	PATCH FACTORY	Use this to destroy those enemy invaders. This one sounds like a sci-fi movie or a video game noise: (fire) triggers the laser blast, (sweep) adjusts the pitch sweep of the sound, (feedback) controls the decay of the sound, (tune) controls the basic pitch.	B+, B/LT
407	PLUCK	PATCH FACTORY	This effect is a convincing simulation of a string being plucked, in stereo: (pluck) press this to pluck the string, (detune) controls the pitch of the left output, (tone) increase for harsher string sound, (tune) controls the pitch of the string.	B+, B/LT
408	SIREN	PATCH FACTORY	If a siren is what you need, here’s where to look: (rate) controls the rate of the siren sweep, (range) controls the range of the pitch sweep.	B+, B/LT
409	SONAR	PATCH FACTORY	This simulates the sound of a submarine’s sonar echo: (ping) triggers the sonar sound.	B+, B/LT
410	STEREO COPTER	PATCH FACTORY	Use this if you need an easy helicopter sound: (speed) controls the helicopter rotor speed.	B+, B/LT
411	TANK ATTACK	PATCH FACTORY	This program sounds like an arcade tank game: (fire) will fire the tank when pressed, (rumble) controls the bass rumble of the explosion.	B+, B/LT
412	THUNDER	PATCH FACTORY	Try our thunderbolt: (bolt) triggers the thunder effect.	B+, B/LT
413	UFO	PATCH FACTORY	This is our version of a spaceship taking off and landing: (take off) will make the spaceship take off. Press again to make it land.	B+, B/LT
414	WAVE	PATCH FACTORY	This sounds like a single, ocean wave: (waveit) triggers the wave sound.	B+, B/LT
415	WIND STORM	PATCH FACTORY	Put your parka on before loading. Here is our howling Arctic wind: (gales) controls the intensity of the storm, (mix) allows a voice to be mixed over the wind.	B+, B/LT
416	BOB C’S PHASER	PHASER	PHASER tweaked by Mr. Clearmountain himself.	D/SE, H3500
417	DEEPENED CLAPS	ULTRA-TAP	Swelling, fat delay, good on percussives.	D/SE, H3500
418	SPACE FLANGE BC	SWEPT REVERB	Customized preset with flangy, panning delays.	D/SX, D/SE, 35
419	STEREO W FLANGE	SWEPT COMBS	Widens your stereo image with flangy things.	D/SE, H3500
420	SWEPT PANNER	SWEPT COMBS	Has LFO tied to width.	D/SE, H3500
421	TITE STEREO DLY	STEREO SHIFT	Real, tite-locked delays.	D/SE, H3500
422	TITE STEREO CUE	MULTI-SHIFT	Tight, unlocked delays.	D/SE, H3500
423	VOC DOUBLER BC	MULTI-SHIFT	A voice thickener with a moving pitch.	D/SE, H3500
425	2 MULTI EFFECTs	MULTI-SHIFT	Two independent shifters with panning, semi-equivalent to two H949s.	H3500
426	AMBIENT SLAP	ULTRA-TAP	Quick slap with an element of reverb.	H3500
427	BALLAD SNARE	DENSE ROOM	A good verb for slow tunes. Has a long predelay.	H3500
428	BOOGALOO	PATCH FACTORY	A jungle-sounding patch, try on toms.	H3500
429	CASTANET PSYCHO	BAND DELAY	Rhythmic, resonant delays.	H3500
430	CLACK	PATCH FACTORY	Adds a clacky noise.	H3500
431	CRACK O’SNARE	PATCH FACTORY	One of several presets good for snare processing.	H3500
432	DARK CELLAR	REVERB FACTORY	Good for growing mushrooms.	H3500
433	DAVE’S PLATE	SWEPT REVERB	Plate-type reverb w/ a little chorusing.	H3500
434	DITH VERB	REVERB FACTORY	Unusual, warm and thick verb.	H3500
435	DRUM WHEEZE	PATCH FACTORY	Funny wheeze for something a little different.	H3500
436	DRUNKIT	SWEPT REVERB	Too much tequila the night before.	H3500
437	DUAL FLAT FIXER	MULTI-SHIFT	Correct the ‘out-of-tuneness’ of two vocalists at the same time. The knob will control Ch 1’s pitch, and a pitch bend wheel will control Ch 2’s. A sequencer will store your pitch changes if you record them to it.	H3500
438	DUAL TOM SHIFT	DUAL SHIFT	‘NUFF SAID!	H3500
439	DUCK VERB	REVERB FACTORY	Reverb will ‘duck’ slightly while a signal is present.	H3500
440	EMPTY WATER TANKS	REVERB FACTORY	Sounds like the inside of one of those water towers.	H3500
441	FALLING FLANGE	PATCH FACTORY	Use ‘P DELAY’ to change repeat interval.	H3500
442	FAT FLAM	LAYERED SHIFT	Tight delays to widen drum strokes.	H3500
443	FineYoung Snare	PATCH FACTORY	Pretty, poppy processing.	H3500
444	FIXT PITCH TOMS	DIATONIC SHIFT	Interesting tom thickener.	H3500
445	FUNKshunTAPS	ULTRA-TAP	Discrete, reverb-like delays sweeping right to left.	H3500
446	GATED KIK	REVERB FACTORY	This is a gated, bass drum reverb.	H3500
447	GATED SNARE	REVERB FACTORY	Guess what this is?	H3500
448	GRIF RANDOM	DUAL SHIFT	A great thickener reminiscent of H949 random.	H3500
449	H949 REV 3	PATCH FACTORY	Basic configuration and sound of H949.	H3500
450	HAT ROOM	SWEPT REVERB	Check your hi-hat in here.	H3500
451	HI HAT BREATH	SWEPT REVERB	Makes hat a little more ambient.	H3500
452	HI HAT DELAY	PATCH FACTORY	EQ’d delays for hat.	H3500
453	ITCHY COO TOM	SWEPT REVERB	Try it on toms. By the way, do you remember the song?	H3500
454	JOE’S GATE	REVERB FACTORY	A nice, gated reverb. Thanks Joe!	H3500
455	JUNGLE 7	BAND DELAY	Adds jungle rhythms in 7/8.	H3500
456	KERR VERB	REVERB FACTORY	Medium-dark, gated verb.	H3500
457	KIT FLANGER	SWEPT REVERB	Neato, overall kit flanger.	H3500
458	LEXY ROOM	REVERB FACTORY	Bright-sounding room with white tail.	H3500
459	LITE ROOM	REVERB FACTORY	Sounds great, less filling.	H3500
460	LONG ROOM	DENSE ROOM	Long Verb.	H3500
461	LO PROCESSOR	SWEPT REVERB	Adds low percussive ambience to anything.	H3500
462	MIDI GATE VERB	REVERB FACTORY	Use keyboard controller to change parameters. Sustain pedal is tied to gate and Mod Wheel is tied to decay.	H3500
463	MIDI SWEPT VERB	SWEPT REVERB	Size is tied to pitch wheel and the sweep is tied to modulation wheel.	H3500
464	OCTAVE DOWNERs	DIATONIC SHIFT	Both channels take the drums down an octave.	H3500
465	One And Ah 16th	ULTRA-TAP	Gives you great 16th note subdivisions (one-and-ah as Lawrence Welk used to say).	H3500
466	One Car Garage	REVERB FACTORY	Small, tight reverb like a one-car garage.	H3500
467	One Ee And Ah	ULTRA-TAP	One ee and ah sixteenth note subdivisions.	H3500
468	One Ee Ah 16ths	ULTRA-TAP	One Ee Ah (16ths).	H3500
469	PERC WAH WAH	PATCH FACTORY	And now, wah-wah for drums!	H3500
470	PHONERING DELAY	ULTRA-TAP	Delays timed to sound like an old, phone-ring effect.	H3500
471	ROOM 90x40x15	ULTRA-TAP	Simulates discrete style reverb of small room with mentioned dimensions.	H3500
472	ROCK ROOM	DENSE REVERB	Power verb.	H3500
473	SEXTUPLETS A	ULTRA-TAP	Variation of above.	H3500
474	SEXTUPLETS	ULTRA-TAP	This is, well, sextuplet delays.	H3500
475	SEWER VERB	PATCH FACTORY	Foul, liquid-sounding reverb.	H3500
476	SHORT ROOM	REVERB FACTORY	A small reverb (four-car garage?).	H3500
477	SIMMONIZE	PATCH FACTORY	See (#476).	H3500
478	SMALL TILED RM	REVERB FACTORY	The sound of Ivana’s bathroom.	H3500
479	SON OF BIGSNARE	DENSE ROOM	Remember Big Snare (#576)?	H3500
480	STEREO TOM DLAY	MULTI-SHIFT	Delays that will follow the panning of the inputs.	H3500
481	SWEEP 8	BAND DELAY	Pitched and timed delays.	H3500
482	THICK RICK	SWEPT REVERB	Thickening, sweeping ambience.	H3500
483	TILED HAT ROOM	REVERB FACTORY	This is a very large bathroom.	H3500
484	TimBrAl bRooM	PATCH FACTORY	Wah-wahing ambience.	H3500
485	TIMID VERB	SWEPT REVERB	Subtle reverb/flanger.	H3500
486	TINY WAREHOUSE	DENSE ROOM	This is the reverb of a small Hoboken, N.J. sock outlet factory.	H3500
487	TOMBALLS	REVERB FACTORY	Good on toms.	H3500
488	TOM SWEEP	BAND DELAY	Pitched delays for toms.	H3500
489	TRASHY DRUMS	SWEPT REVERB	Want a really gritty drum sound? Load this one.	H3500
490	TWINKIE SHIFT	MULTI-SHIFT	Adds adorable, higher octaves.	H3500
491	Two Warm Delays	PATCH FACTORY	These are so useful to add ambience without “swishing” around.	H3500
492	WARP 2	SWEPT REVERB	Kind of a seasick preset. Warps pitch of input.	H3500
493	WORD UP	LAYERED SHIFT	Noise effect for snare or percussion.	H3500
496	MOON TURN TIDES	MOD FACTORY	Long delay that falls in pitch and time signal is removed.	D/SX, D/SE, 35
497	SMOOTH DELAYS	MOD FACTORY	Slow, attacking delays with a lil’ ducking.	D/SE, H3500
498	GIGUNDO CHORUS	MOD FACTORY	Use on vocal chorus to enlarge and thicken.	D/SE, H3500
499	KAMIKAZE DELAYS	MOD FACTORY	New, distorted delays that dive with signal.	D/SX, D/SE, 35
500	ADSR FILTER	PHASER	When the sound into the H3500 goes over a threshold, a sweeping, ‘wah’-like, filter effect is triggered.	D/SE, H3500
501	ADSR PHASER	PHASER	Like above, the input audio level will trigger a sweeping, PHASER effect.	D/SE, H3500
502	ANALOG THICK	PATCH FACTORY	A warm, chorused, echo sound. Two adjustable, lowpass filters provide the warmness.	D/SE, H3500
503	BASS CHORUS	MULTI-SHIFT	Specifically tailored for bass, this is a simple, micro-pitched chorus.	D/SE, H3500
504	BUENOS NOTCHES	PHASER	Pleasant, sweeping notches will result when this effect is mixed with the dry audio.	D/SE, H3500
505	DEATH FLANGE	SWEPT REVERB	A deep, intense flange that’s great for thickening up a synthesized bass line.	D/SE, H3500
506	DIGDLY & MICRO	MULTI-SHIFT	Dual digital delays with micro-shift on the outputs. A nice sounding setup useful for thickening up a synthesized bass line.	D/SE, H3500
507	DGDLY+WAH+MICRO	PATCH FACTORY	This is an unusual combination of a digital delay, a cycling ‘wah-wah’ filter, and a micro-pitch shift.	D/SE, H3500
508	DUAL H910 MICRO	MULTI-SHIFT	This program is designed to function like two Eventide H910 Harmonizer effects processors. The glitching you hear is intentional. This is a true dual program, where both left and right channels are processed separately.	D/SE, H3500
509	ENVELOPE FILTER	PHASER	This program consists of a resonant filter that sweeps as the input level changes. Try experimenting with the envelope-rate parameter.	D/SE, H3500
510	ENVELOPE PHASER	PHASER	Here, a PHASER sweep follows the input signal level.	D/SE, H3500
511	FLANGE & REVERB	SWEPT COMBS	This is a reverb with a subtle, flanging effect.	D/SE, H3500
512	FLANGER	SWEPT COMBS	This is a basic, stereo flanger. For the best effect, mix the H3500 output with the dry signal.	D/SE, H3500
513	INSTANT PHASER	PHASER	A straightforward, sweeping PHASER, in memory of our famous product.	D/SE, H3500
514	JUST STEREO	MULTI-SHIFT	A very subtle, micro-pitch shift. Just enough to add a presence to an otherwise flat, mono sound.	D/SE, H3500
515	MAGIC AIR	MULTI-SHIFT	This has two upward micro-shifts and two delays in a tight, ambient formation. Use to liven and slightly raise flat vocals or to generally thicken sources.	D/SE, H3500
516	MANY REFLECTIONS	MULTI-SHIFT	Numbers of micro-pitched echoes slowly decaying upwards. Good, chorused, echo effect.	D/SE, H3500
517	MICRO + DRYSLAP	MULTI-SHIFT	A general-purpose thickener with some delay with feedback.	D/SE, H3500
518	MICRO + REVERB	MULTI-SHIFT	Includes a micro-shift and a quasi-reverb set of delays with feedback.	D/SE, H3500
519	MICROPITCHSHIFT	MULTI-SHIFT	This is the perfect effect to fatten up or widen a sound without adding any color.	D/SE, H3500
520	MICRO-REVERB	MULTI-SHIFT	Similar to above but much less discrete, with tighter delays.	D/SE, H3500
521	MICROPITCH-SLAP	MULTI-SHIFT	The left channel is micro-shifted and the right is a slap delay with micro-shift. Great for guitar.	D/SE, H3500
522	MULTI-DLYEFFECT	SWEPT COMBS	All kinds of subtle things going on here. Delays, echoes, flanging, chorusing.	D/SE, H3500
523	MULTI-FLANGE	SWEPT COMBS	With six delays being swept at once, this program creates a very thick, flange sound.	D/SE, H3500
524	QUADRUPLER	MULTI-SHIFT	Provides a dense, panned stereo field with two sweeping shifters and two delays. Denser than Voice Doubler (572) but similar in effect.	D/SE, H3500
525	RANDOM FLANGE	MULTI-SHIFT	Another doubling effect with random, moving, micro-pitch shifts.	D/SE, H3500
526	RESONANT SWEEP	PHASER	A medium-speed, resonant PHASER.	D/SE, H3500
527	RICH CHORUS	SWEPT COMBS	This program uses six delay lines to create a useful chorus effect. Try increasing (m delay) to get a subtler but more realistic effect.	D/SE, H3500
528	REAL CHORUS	MULTI-SHIFT	A convincing doubling effect. Pretty smooth.	D/SE, H3500
529	SPACE FLANGE	SWEPT REVERB	This program is like a digital delay, a reverb and a flanger all rolled into one.	D/SE, H3500
530	TREMOLO DELAY	MULTI-SHIFT	A long delay whose pitch warbles, creating a thick atmospheric effect. Use on guitar sound effects.	D/SE, H3500
531	TWO THICKENERS	MULTI-SHIFT	Two independent effects, each made up of a delay with pitch shift, and a discrete delay.	D/SE, H3500
532	ULTRA-THICK	MULTI-SHIFT	General thickener with a nice, stereo image.	D/SE, H3500
533	VOICE DOUBLER	LAYERED SHIFT	Sweeps two pitch shifters in opposite directions giving a convincing doubling effect.	D/SE, H3500
534	WATERY FLANGE	SWEPT COMBS	Just as the name suggests.	D/SE, H3500
535	ANALOG DELAYS	PATCH FACTORY	Warm echoes provided by lowpass filters.	D/SE, H3500
536	BUILD-A-SHIMMER	ULTRA-TAP	Eerie echoes that fade in and fade out.	D/SE, H3500
537	CIRCLES	ULTRA-TAP	A stereo delay effect that seems to circle around your head. The effect is most noticeable on short sounds, like handclaps.	D/SE, H3500
538	DIGITAL DELAY	LONG DIGIPLEX	A basic digital delay line, with feedback control.	D/SE, H3500
539	DUAL DELAYS	DUAL DIGIPLEX	Two simple delays. One left, one right.	D/SE, H3500
540	ECHOPLEXINGPONG	DUAL DIGIPLEX	An echo that bounces from one side to another.	D/SE, H3500
541	ECHO RAMP	LONG DIGIPLEX	A manually triggerable program with a delay that sweeps down and up when the trigger key is pressed.	D/SE, H3500
542	FAT SLAP	ULTRA-TAP	A slap delay with an ambient sound.	D/SE, H3500
543	5TH AVE ECHO	ULTRA-TAP	Delays and diffusion are selected to sound a lot like those on a big city street.	D/SE, H3500
544	LONG DELAY	LONG DIGIPLEX	Simple, long delay.	D/SE, H3500
545	MULTI-TAP	ULTRA-TAP	If you own an Eventide SP2016, you’ll be familiar with this sound. This preset emulates the SP2016 Multi-Tap program, with a slightly shorter overall.	D/SE, H3500
546	PING PONG BALL	ULTRA-TAP	Another echo that bounces side to side. But, the echo shortens with time.	D/SE, H3500
547	SETTLEDOWN ECHO	BAND DELAY	Echoes that go from bright to warm.	D/SE, H3500
548	SOFT SHORT ECHO	DENSE ROOM	A very smooth, diffuse echo.	D/SE, H3500
549	SPACE ECHO	PATCH FACTORY	Simulates a very popular tape delay from the 70’s. Even adds tone controls and tape warble for that thick, analog sound.	D/SE, H3500
550	SUBTLE SWEEP	DUAL SHIFT	Two subtle, sweeping delays. This is ideal for turning mono sources into stereo. Pan original source to one side and its sweeping delay to another.	D/SE, H3500
551	SWEEP RIGHT	ULTRA-TAP	Exponential increasing delays that are panned from left to right. Mono in, stereo out.	D/SE, H3500
552	THICK LOOP	SWEPT REVERB	A repeating delay that fades into a reverb sound.	D/SE, H3500
553	THREE ON TWO	DUAL DIGIPLEX	The delays in this program are set such that the familiar three against two rhythm is produced: (feedback) controls the amount of feedback, (mix) wet/dry effect mix.	D/SE, H3500
554	WIDENING TAPS	ULTRA-TAP	The echoes get longer as time goes on, spreading from the center to the sides of the stereo field.	D/SE, H3500
555	AMBIENCE	ULTRA-TAP	Use this to add ambience without muddying the mix.	D/SE, H3500
556	AMBIENT BOOTH	DENSE ROOM	A short but natural reverberation.	D/SE, H3500
557	BATHROOM	REVERB FACTORY	Lots of highs left in by those ceramic tiles.	D/SE, H3500
558	CHORUS ROOM	SWEPT REVERB	Short reverb with chorus. Nice for instruments but perhaps not with drums.	D/SE, H3500
559	CRASS ROOM	DENSE ROOM	A harsh, hollow reverb reminiscent of those good old school days.	D/SE, H3500
560	DE-BURR	ULTRA-TAP	Takes the edge off of sharp attacks.	D/SE, H3500
561	DREWS CHAMBER	DENSE ROOM	Medium-short, natural reverb.	D/SE, H3500
562	DRUM AMBIENCE	DENSE ROOM	A soft ambience that just barely livens up otherwise dry sounds.	D/SE, H3500
563	EMPTY CLOSET	SWEPT REVERB	This reverb is very short. You almost can’t detect it. Use it for situations where you really don’t want to hear a reverb.	D/SE, H3500
564	EMPTY ROOM	SWEPT REVERB	Medium reverb with slight chorus. Sounds nice on regular instruments.	D/SE, H3500
565	MEDIUM SPACE	SWEPT REVERB	Another medium reverb with slight chorus. This has a more natural sound and the chorus is very slight.	D/SE, H3500
566	NEW HOUSE	SWEPT COMBS	Use this to get that metallic sound of an empty, reflective room.	D/SE, H3500
567	PRCSVHORN PLATE	DENSE ROOM	A plate reverb that enhances natural or synthesized horn sounds.	D/SE, H3500
568	REAL ROOM	SWEPT REVERB	Short reverb with a natural airiness.	D/SE, H3500
569	SMALL ROOM	REVERB FACTORY	A small-room reverb.	D/SE, H3500
570	SMLSTEREOSPACE	SWEPT REVERB	Very short ambience with a slight chorus added in order to give it a big, full sound for its short duration.	D/SE, H3500
571	SMALL VOCAL ROOM	DENSE ROOM	Medium-length reverb tailored for vocals.	D/SE, H3500
572	TIGHT ROOM	DENSE ROOM	A short, bright reverb.	D/SE, H3500
573	TIGHT & BRIGHT	DENSE ROOM	Like above but longer and brighter.	D/SE, H3500
574	VOCAL BOOTH	DENSE ROOM	Short, natural reverb with a slight delay.	D/SE, H3500
575	ALIVE CHAMBER	SWEPT REVERB	Large, chorus reverb. A real, full sound.	D/SE, H3500
576	BIG SNARE	REVERB FACTORY	This is a sizzling reverb, somewhat gated with lots of punch for drums.	D/SE, H3500
577	BIG SWEEP	SWEPT REVERB	To really hear the sweep, turn up the master feedback, make some noise and then change the master delay.	D/SE, H3500
578	BOB’S ROOM	DENSE ROOM	A warm, long reverb, useful on lots of sources.	D/SE, H3500
579	BREATHING CANYON	SWEPT REVERB	A very long reverb. Very roomy.	D/SE, H3500
580	BRIGHT ROOM	REVERB FACTORY	A short, bright reverb.	D/SE, H3500
581	CANYON	REVERB FACTORY	Our biggest reverb sound, like an echoing canyon.	D/SE, H3500
582	CONCERT HALL	DENSE ROOM	A big hall with a lot of predelay.	D/SE, H3500
583	DARK ROOM	DENSE ROOM	Yes, another dark reverb. Sounds like the inside of a big, petroleum tank.	D/SE, H3500
584	DISCRETE-VERB	SWEPT COMBS	A sparse, reverb effect.	D/SE, H3500
585	NORTHWEST HALL	DENSE ROOM	Very similar to Concert Hall except that the reverb is somewhat more discrete.	D/SE, H3500
586	RICH PLATE	SWEPT REVERB	A slight sweep in this reverb gives it a rich sound and a smooth tail.	D/SE, H3500
587	SLAPVERB	DENSE ROOM	A short delay and then a bright, long reverb.	D/SE, H3500
588	SMOOTH PLATE	DENSE ROOM	Airy and smooth.	D/SE, H3500
589	WARM HALL	REVERB FACTORY	Our basic reverb sound.	D/SE, H3500
590	BACKWARD REVERB	MULTI-SHIFT	A quasi-reverb made up of little backward bits of the input. One of a kind.	D/SE, H3500
591	ECHO-VERB	DENSE ROOM	A discrete, echo-like reverb.	D/SE, H3500
592	EXPLODING ‘VERB	REVERB FACTORY	This sounds like a reverb, until the input level goes above the gate threshold. Once triggered, the reverb sound grows explosively.	D/SE, H3500
593	GATED REVERB	REVERB FACTORY	That very familiar drum effect. To change the length of the ‘gate’ sound, set the gate length parameter.	D/SE, H3500
594	GATED ROOM	REVERB FACTORY	A warm-sounding, gated room best used on one source such as snare drum or toms.	D/SE, H3500
595	GATE ROOM	REVERB FACTORY	Like above but with a more natural decay.	D/SE, H3500
596	HUMP-VERB	ULTRA-TAP	A very unique reverb with a sound not unlike the name.	D/SE, H3500
597	METALVERB	ULTRA-TAP	A metallic set of closely packed delays approaching reverb density.	D/SE, H3500
598	RANDOM GATE	ULTRA-TAP	A ‘gated reverb’ sound created with the ULTRA-TAP program. Great for drums.	D/SE, H3500
599	RESONANT WORLD	STRING MODELER	This one is different. A long-lasting ‘reverb’ with bizarre resonances and echoes.	D/SE, H3500
600	REVERSE GATE	ULTRA-TAP	Another standard drum reverb.	D/SE, H3500
601	REVERB RAMP	SWEPT REVERB	A triggerable, sweeping reverb. It sweeps up the first time it is triggered and toggles from then on.	D/SE, H3500
602	SHIMMERISH	SWEPT REVERB	A recirculating delay effect that fades into a smooth reverb.	D/SE, H3500
603	TONAL ROOM	SWEPT REVERB	With pitched inputs, this reverb will actually generate many other tones. On drums, this is one of the biggest sounds you can get.	D/SE, H3500
604	UP/DOWN REVERB	MULTI-SHIFT	User selectable, rising or falling reverb-like effect.	D/SE, H3500
605	A MINOR CHORDS	DIATONIC SHIFT	Play or sing a solo line in A minor. The H3500 will generate two perfect ‘in-key’ harmonies.	D/SE, H3500
606	ARPEGGIOS	MULTI-SHIFT	Adds a fifth and an octave rhythmically, along with a short delay.	D/SE, H3500
607	BASS SHIFT	MULTI-SHIFT	A doubling effect intended for bass guitar. One channel is shifted up an octave. The other is slightly detuned.	D/SE, H3500
608	DEEPEN	PATCH FACTORY	Adds lower octave harmonics with a pitch shifter sweep.	D/SE, H3500
609	DIATONIC DANCE	DIATONIC SHIFT	You play a note and after half a second, you get a harmony. Use one note at a time, in an effect loop.	D/SE, H3500
610	DUAL SHIFT EASY	DUAL SHIFT	An easy-to-use program featuring two pitch shifters with function knobs set up, with pitch calibrated in semitones (1/2 steps).	D/SE, H3500
611	GLITCH SHIFT	DUAL SHIFT	A ‘cheap’ sounding pitch shifter. If glitches are what you want, here they are.	D/SE, H3500
612	GREGORIAN SHIFT	PATCH FACTORY	This program filters and pitch shifts input voices to produce a chorus of droning monks.	D/SE, H3500
613	H949	LAYERED SHIFT	This gives you what the H949 gave you. One output is a straight delay while other is pitch shifted. Both outputs are fed back to the input.	D/SE, H3500
614	HAMMER-ON 3RD	DUAL DIGIPLEX	You, too, can play like the flashiest guitarist, without the years of hard work and shredded fingers. Will take one note and arpeggiate it to sound like a familiar two-handed guitar technique.	D/SE, H3500
615	HAMMER-ON 5TH	DUAL DIGIPLEX	Similar to above but different intervals.	D/SE, H3500
616	HARMO-CHORUS	MULTI-SHIFT	A pitch shifter and chorus combined.	D/SE, H3500
617	IN SIX	MULTI-SHIFT	6/8 time is implied in this preset which adds a fourth down, a minor third up, and a minor sixth up.	D/SE, H3500
618	JUST 3RD & 5TH	DIATONIC SHIFT	A ‘diatonic’ pitch shifter that will generate just-intoned 3rds and 5ths above the input. Make sure to set the key properly.	D/SE, H3500
619	JUST 4TH & 6TH	DIATONIC SHIFT	Generates just-intoned 4ths and 6ths above the input.	D/SE, H3500
620	MUSIC SHIFT	STEREO SHIFT	This stereo, pitch shift program is optimized for shifting input program material.	D/SE, H3500
621	OCTAVE ECHOES	MULTI-SHIFT	Complex delays which are fed back and combined with a radically down-shifted signal.	D/SE, H3500
622	PITCHED ECHO	MULTI-SHIFT	Shows off one aspect of the MULTI-SHIFT algorithm’s feedback setup. Long echoes come back shifted but the shorter delays don’t.	D/SE, H3500
623	PITCH QUANTIZE	DIATONIC SHIFT	This program quantizes the input to the nearest chromatic interval.	D/SE, H3500
624	SUSPENSE	MULTI-SHIFT	Echoes are shifted to create suspenseful harmonies.	D/SE, H3500
625	THIRD & FIFTH	DIATONIC SHIFT	Generates an ‘in-key’ third and fifth above the input.	D/SE, H3500
626	THIRD & OCTAVE	DIATONIC SHIFT	This generates a diatonic third above and an octave below the input.	D/SE, H3500
627	TWELVE STRING	MULTI-SHIFT	Provides an octave down and a micro-pitch shift, simulating a twelve-string guitar.	D/SE, H3500
628	VIBRATO	MULTI-SHIFT	Instant vibrato at the press of a button.	D/SE, H3500
629	VOICE SHIFT	STEREO SHIFT	This STEREO SHIFT program is optimized for pitch shifting program material whose main content is spoken voice.	D/SE, H3500
630	ALIENS	REVERSE SHIFT	Transforms voice into a rough, alien-like sound.	D/SE, H3500
631	ANTI-AMBIENCE	REVERSE SHIFT	This is a reverb-like sound created from REVERSE SHIFT. Sounds great on guitar.	D/SE, H3500
632	AUTOPANNER	SWEPT COMBS	Produces automatic stereo (left<->right) panning.	D/SE, H3500
633	AVANTE-GARDE	REVERSE SHIFT	A REVERSE SHIFT effect that generates descending, chromatic lines.	D/SE, H3500
634	BACKWARDS	REVERSE SHIFT	Turns the input around in one-second chunks.	D/SE, H3500
635	BAND PAN	BAND DELAY	Rhythmically, panned and delayed, with its own bandpass filter.	D/SE, H3500
636	BAND SLAP	BAND DELAY	A stereo, slap effect using two bands that are fed back. One band is tuned higher.	D/SE, H3500
637	BANDSWEEPRAND	BAND DELAY	A random-pitched set of bands that are delayed and pass from left to right in the stereo field.	D/SE, H3500
638	BAND SWEEP	BAND DELAY	Upward-sweeping bands passing from left to right.	D/SE, H3500
639	BIZARREMONIZER	LAYERED SHIFT	Generates a bizarre, upward-sweeping pitch shift.	D/SE, H3500
640	CANNONS	REVERSE SHIFT	A unique, sweeping sound that’s great on drums. Try playing a tom solo through this.	D/SE, H3500
641	CRITICAL BAND	PATCH FACTORY	A close approximation to Fletcher/Munson bandpass curves. Use to brighten signals or key compressors and gates to frequencies to which our ears are most sensitive.	D/SE, H3500
642	CRYSTAL ECHOES	MULTI-SHIFT	Words fail. A stairway of echoes reaching for heaven.	D/SE, H3500
643	DRUM PROCESSOR	SWEPT REVERB	This very different effect tends to make things that aren’t drums sound like drums. Try adjusting the first four parameters for a variety of effects.	D/SE, H3500
644	FILTER PAN	PATCH FACTORY	A filter, sweep effect that seems to pan as it sweeps.	D/SE, H3500
645	FUTURE SHIFT	MULTI-SHIFT	A shimmering, orchestral effect. Try on swelling, monophonic synths or single-line voices.	D/SE, H3500
646	LIQUID REVERB	BAND DELAY	A reverb-like program with band delays whose filters sweep downward with increasing delay length.	D/SE, H3500
647	LOWPASS FILTERS	PATCH FACTORY	Two lowpass filters connected in series process the audio. Use cutoff 1 and 2 to control the rolloff frequencies. Use Q factor 1 and 2 to control the resonance of the filters.	D/SE, H3500
648	MAJOR WIND HARP	STRING MODELER	The first in a series of resonant, reverb-like programs. This program acts like sympathetically resonating strings tuned to a major scale.	D/SE, H3500
649	MODULATORS	MULTI-SHIFT	Remember that ring-modulated astronaut sound? Here it is, constructed from a pitch shifter that reverses little segments of the input.	D/SE, H3500
650	MODULATOR-VERB	MULTI-SHIFT	Similar to above with more reverb-like decay.	D/SE, H3500
651	OCTAVE FILTERS	BAND DELAY	Gurgling, upward-sweeping filter bands.	D/SE, H3500
652	PSYCHO-PANNER	SWEPT COMBS	This program swirls the input in pitch, pan and delay: (range) controls the range of delay and pitch sweep, (feedback) lower this to reduce the decay time, (pan rate) controls the panning and sweep speed, (mix) wet/dry effect mix.	D/SE, H3500
653	RESONANT MAJ7	STRING MODELER	Sets up sympathetic resonances that form a Major seventh chord.	D/SE, H3500
654	RESONANT PENT	STRING MODELER	Same as above, except resonances form pentatonic scale.	D/SE, H3500
655	REVERSERB	MULTI-SHIFT	A reverb-like effect made up of little, backward bits of the input signal. Try shortening the ‘size’ parameter to smooth it out a little.	D/SE, H3500
656	RUNTHRUMYMIND	BAND DELAY	An echo that bounces and changes timbre back and forth.	D/SE, H3500
657	SCARY MOVIE	REVERSE SHIFT	This program uses REVERSE SHIFT to create an evil-sounding voice. Use with guitar to create that tape splice, psychedelic sound.	D/SE, H3500
658	S/H PAN-A-DELAY	BAND DELAY	Very similar to RunThruMyMind but with different timbres.	D/SE, H3500
659	SLAP+WAH+MICRO	PATCH FACTORY	A slap delay, a sweeping wah-wah, and a microshift all from one program.	D/SE, H3500
660	SPACE CRICKETS	BAND DELAY	Circulating, up-sweeping band delays.	D/SE, H3500
661	STUTTER	STUTTER	Use this for that popular STUTTER sound.	D/SE, H3500
662	STUTTER RANDOM	STUTTER	Random stutters at your control.	D/SE, H3500
663	SWEEP DOWN	BAND DELAY	Rhythmically panned and delayed, with its own bandpass filter.	D/SE, H3500
664	SWEEP & REVERB	STRING MODELER	Sounds reverb-like until manually triggered, which causes a radical, mystical, up-and-down sweep.	D/SE, H3500
665	SWEEP UP/DOWN	BAND DELAY	Band Delays on left sweep up, band delays on right sweep down.	D/SE, H3500
666	SWEEP UP LINEAR	BAND DELAY	Rising band delays sweeping from right to left.	D/SE, H3500
667	SWEEP UP	BAND DELAY	Similar to above w/bands tuned one octave apart.	D/SE, H3500
668	TALKING GUITAR	VOCODER	Vocoder tailored for the guitar.	D/SE, H3500
669	TRIGGERED SCALE	STRING MODELER	Another sympathetic resonator program, except this one has a twist. Press the ‘trigger’ key to get a unique, harp-like strumming sound.	D/SE, H3500
670	TUBE CLONE	BAND DELAY	This is strictly meant for guitars. Play, with distortion, directly through the H3500 and this program will add a nice, crunchy EQ.	D/SE, H3500
671	TWO-BAND FILTER	PATCH FACTORY	Two general-purpose bandpass filters with tunable center frequency and filter Q.	D/SE, H3500
672	WAH WAH + MICRO	PATCH FACTORY	Combines a sweeping filter (wah-wah) with a micro-shift.	D/SE, H3500
673	WAH WAH	PATCH FACTORY	A basic, cyclical wah-wah sound using filters and a function generator.	D/SE, H3500
674	WAH-VERB	BAND DELAY	This sounds like a reverb with a wah-wah.	D/SE, H3500
675	A 440	PATCH FACTORY	Need a reference tuning tone? Here it is. You can mix in the sound you are tuning or fine adjust the pitch for slightly different tunings.	D/SE, H3500
676	GUITAR-ESQUE	STRING MODELER	Connect MIDI up and you have a mellow, guitar sound. The input signal will also affect the sound out.	D/SE, H3500
677	HVYMETAL CELLO	STRING MODELER	The string is briefly bowed and left to ring. The harder you hit the key, the longer the bowing. Feeding input sound will affect the timbre of the note.	D/SE, H3500
678	KEYBOARD	STRING MODELER	An adjustable keyboard sound where you can tailor the sound to your tastes. Also, try your pitch wheel and hit the same note a number of times.	D/SE, H3500
679	KOTO	STRING MODELER	By itself, a very delicate sound. Feed in some input, and the sound takes on all kinds of characters.	D/SE, H3500
680	LS BACH HARPSCD	STRING MODELER	Bright and crisp harpsichord.	D/SE, H3500
681	LS BOWED STRING	STRING MODELER	An airy, resonant noise.	D/SE, H3500
682	LS CLAVICHORD	STRING MODELER	This is a more classical clavichord sound than we’re used to. Use pressure to bend the notes.	D/SE, H3500
683	LS FAR STRINGS	STRING MODELER	Your not-so-standard string section.	D/SE, H3500
684	LS HARP RESONS	STRING MODELER	A hollow, harp sound.	D/SE, H3500
685	LS HARPSICHORD	STRING MODELER	Like the Bach but fuller.	D/SE, H3500
686	LS HIT STRING	STRING MODELER	Crisp and full-struck strings.	D/SE, H3500
687	LS NOSTALGIA	STRING MODELER	This has that honky-tonk sound.	D/SE, H3500
688	LS PSEUDO PIANO	STRING MODELER	An almost piano.	D/SE, H3500
689	LS ZITHER	STRING MODELER	Plucked strings that are full and chorused. Hitting harder will change the timbre.	D/SE, H3500
690	ALICE-VERB	DENSE ROOM	This is a reverb. With each note you hit, you could have a different decay time. Also, the harder you hit, the less bright the reverb.	D/SE, H3500
691	DUAL GLIDEDELAY	DUAL DIGIPLEX	The delay lines are controlled by MIDI.	D/SE, H3500
692	FILTER SWEEPS	BAND DELAY	A recirculating sweep up is swept by the function generator.	D/SE, H3500
693	GLIDE DELAY	LONG DIGIPLEX	This is a mono version of Dual Glide Delay.	D/SE, H3500
694	MIDI 3 ON 2	DUAL DIGIPLEX	This preset will sync up its delay times to a MIDI drum machine or sequencer. The delays are in the familiar 3 on 2 pattern.	D/SE, H3500
695	MIDI PEDALSWEEP	SWEPT REVERB	The MIDI foot-pedal controller will manually sweep the delays in this program to generate a flange-like sound. The Modulation Wheel controls modulation of the delays.	D/SE, H3500
696	MIDIPLEX	LONG DIGIPLEX	Connect a MIDI drum machine or sequencer to this program and the delay will automatically be in time.	D/SE, H3500
697	MIDI BANDSWEEP	BAND DELAY	This program does process audio, but generates an interesting sweep when a MIDI note message is received.	D/SE, H3500
698	MODWHEEL REVERB	SWEPT REVERB	When connected to a MIDI keyboard, the Mod Wheel controls the decay time and the Pitch Wheel controls the delay (room size). Use this to easily generate dramatic reverb sweeps.	D/SE, H3500
699	ROCK ‘N’ ROLL	LAYERED SHIFT	This one’s a bit different. Capture an audio loop by pressing the ‘sustain’ parameter. Play a note on a MIDI keyboard to hear the loop. Moving the Mod Wheel will alter the loop points (a bit like rocking tape reels).	D/SE, H3500
700	AIR	STEREO SHIFT	A long, subtle echo.	D/SX, D/SE, 35
701	A LYDIAN 6THS	DIATONIC SHIFT	Play solo lines using A Lydian modal scales. If you don’t know what a modal scale is, play in the key of E major.	D/SX, D/SE, 35
702	A mi WATER WELL	DIATONIC SHIFT	Creates delayed harmonies in A minor.	D/SX, D/SE, 35
703	A MIXO AIR	DIATONIC SHIFT	A seventh and third that’s way back in the mix. Play in A Mixolydian.	D/SX, D/SE, 35
704	ANGEL HAIR	STEREO SHIFT	Ascending-octave echoes.	D/SX, D/SE, 35
705	ARP	DUAL SHIFT	Arpeggio with major sixth and fourth.	D/SX, D/SE, 35
706	ARPEGGIATOR	DUAL SHIFT	Ascending-arpeggiated echoes.	D/SX, D/SE, 35
707	BELL ECHOES	LAYERED SHIFT	Slap echoes, first up a fifth, then unshifted.	D/SX, D/SE, 35
708	BIG & LONG	DUAL DIGIPLEX	Doubling on the left, a long delay on the right. Be sure to use both inputs.	D/SX, D/SE, 35
709	BIG ROOM CHORUS	SWEPT COMBS	A BIG, chorused-room sound.	D/SX, D/SE, 35
710	BIG GROUND	REVERSE SHIFT	A killer, atonal effect.	D/SX, D/SE, 35
711	BIG LIGHT ECHO	REVERSE SHIFT	A psychedelic, REVERSE SHIFT effect. You may see the light.	D/SX, D/SE, 35
712	BOUNCE VERB	ULTRA-TAP	A boingy reverb that’s perfect for adding a real crunch to overdriven guitar.	D/SX, D/SE, 35
713	CHORUS ‘N’ ECHO	DUAL SHIFT	Chorus on both channels, echo on the right.	D/SX, D/SE, 35
714	CHORUS ‘N’ FLANGE	DUAL SHIFT	Chorus on the left, flange on the right. To get more ‘flange’, turn up the right feedback.	D/SX, D/SE, 35
715	CLUSTER ECHO	DIATONIC SHIFT	A slap that comes back as a tone cluster.	D/SX, D/SE, 35
716	DEATHLESS ROOM	ULTRA-TAP	Even crunchier than Bounce-Verb.	D/SX, D/SE, 35
717	DELAY TO WASH	REVERB FACTORY	This repeating delay eventually fades into a reverb.	D/SX, D/SE, 35
718	ECHO BOUND	ULTRA-TAP	Left/Right echoes keep coming at you then stop.	D/SX, D/SE, 35
719	ENDLESS CAVE	ULTRA-TAP	A dense, cave-like reverb.	D/SX, D/SE, 35
720	EZCHORUS	LAYERED SHIFT	Instant, stereo guitar.	D/SX, D/SE, 35
721	FALLING FLANGER	LAYERED SHIFT	Flanger left, delay right.	D/SX, D/SE, 35
722	GREEN WRINGER	STEREO SHIFT	Turns your guitar into vegemite.	D/SX, D/SE, 35
723	HEAVEN	REVERSE SHIFT	Play anything into this. It will sound good.	D/SX, D/SE, 35
724	HELL	REVERSE SHIFT	An unearthly sound.	D/SX, D/SE, 35
725	HEXA CHORUS	SWEPT COMBS	Super-thick chorus.	D/SX, D/SE, 35
726	HEXA FLANGE	SWEPT COMBS	Super-thick flange.	D/SX, D/SE, 35
727	INSOMNIA	DUAL SHIFT	Descending, chromatic intervals. This one will keep you up.	D/SX, D/SE, 35
728	KICK BACK CHORUS	DUAL DIGIPLEX	A long delay that comes back in stereo.	D/SX, D/SE, 35
729	LOVE GUNPLAY IN C	DIATONIC SHIFT	If you like sevenths, you’ll like this one.	D/SX, D/SE, 35
730	MINOR 7TH ECHOES	DIATONIC SHIFT	Backwards minor 3rd and 7th echoes. Sounds great if you play up high and dirty.	D/SX, D/SE, 35
731	MONDO CHORUS	DUAL SHIFT	A wide chorus that still keeps its punch.	D/SX, D/SE, 35
659	SLAP+WAH+MICRO	PATCH FACTORY	A slap delay, a sweeping wah-wah, and a microshift all from one program.	D/SE, H3500
660	SPACE CRICKETS	BAND DELAY	Circulating, up-sweeping band delays.	D/SE, H3500
661	STUTTER	STUTTER	Use this for that popular STUTTER sound.	D/SE, H3500
662	STUTTER RANDOM	STUTTER	Random stutters at your control.	D/SE, H3500
663	SWEEP DOWN	BAND DELAY	Rhythmically panned and delayed, with its own bandpass filter.	D/SE, H3500
664	SWEEP & REVERB	STRING MODELER	Sounds reverb-like until manually triggered, which causes a radical, mystical, up-and-down sweep.	D/SE, H3500
665	SWEEP UP/DOWN	BAND DELAY	Band delays on left sweep up, band delays on right sweep down.	D/SE, H3500
666	SWEEP UP LINEAR	BAND DELAY	Rising band delays sweeping from right to left.	D/SE, H3500
667	SWEEP UP	BAND DELAY	Similar to above with bands tuned one octave apart.	D/SE, H3500
668	TALKING GUITAR	VOCODER	Vocoder tailored for the guitar.	D/SE, H3500
669	TRIGGERED SCALE	STRING MODELER	Another sympathetic resonator program, except this one has a twist. Press the ‘trigger’ key to get a unique, harp-like strumming sound.	D/SE, H3500
670	TUBE CLONE	BAND DELAY	This is strictly meant for guitars. Play, with distortion, directly through the H3500 and this program will add a nice, crunchy EQ.	D/SE, H3500
671	TWO-BAND FILTER	PATCH FACTORY	Two general-purpose bandpass filters with tunable centre frequency and filter Q.	D/SE, H3500
672	WAH WAH + MICRO	PATCH FACTORY	Combines a sweeping filter (wah-wah) with a micro-shift.	D/SE, H3500
673	WAH WAH	PATCH FACTORY	A basic, cyclical wah-wah sound using filters and a function generator.	D/SE, H3500
674	WAH-VERB	BAND DELAY	This sounds like a reverb with a wah-wah.	D/SE, H3500
675	A 440	PATCH FACTORY	Need a reference tuning tone? Here it is. You can mix in the sound you are tuning or fine adjust the pitch for slightly different tunings.	D/SE, H3500
676	GUITAR-ESQUE	STRING MODELER	Connect MIDI up and you have a mellow, guitar sound. The input signal will also affect the sound out.	D/SE, H3500
677	HVYMETAL CELLO	STRING MODELER	The string is briefly bowed and left to ring. The harder you hit the key, the longer the bowing. Feeding input sound will affect the timbre of the note.	D/SE, H3500
678	KEYBOARD	STRING MODELER	An adjustable keyboard sound where you can tailor the sound to your tastes. Also, try your pitch wheel and hit the same note a number of times.	D/SE, H3500
679	KOTO	STRING MODELER	By itself, a very delicate sound. Feed in some input, and the sound takes on all kinds of characters.	D/SE, H3500
680	LS BACH HARPSCD	STRING MODELER	Bright and crisp harpsichord.	D/SE, H3500
681	LS BOWED STRING	STRING MODELER	An airy, resonant noise.	D/SE, H3500
682	LS CLAVICHORD	STRING MODELER	This is a more classical clavichord sound than we’re used to. Use pressure to bend the notes.	D/SE, H3500
683	LS FAR STRINGS	STRING MODELER	Your not-so-standard string section.	D/SE, H3500
684	LS HARP RESONS	STRING MODELER	A hollow, harp sound.	D/SE, H3500
685	LS HARPSICHORD	STRING MODELER	Like the Bach but fuller.	D/SE, H3500
686	LS HIT STRING	STRING MODELER	Crisp and full-struck strings.	D/SE, H3500
687	LS NOSTALGIA	STRING MODELER	This has that honky-tonk sound.	D/SE, H3500
688	LS PSEUDO PIANO	STRING MODELER	An almost piano.	D/SE, H3500
689	LS ZITHER	STRING MODELER	Plucked strings that are full and chorused. Hitting harder will change the timbre.	D/SE, H3500
690	ALICE-VERB	DENSE ROOM	This is a reverb. With each note you hit, you could have a different decay time. Also, the harder you hit, the less bright the reverb.	D/SE, H3500
691	DUAL GLIDEDELAY	DUAL DIGIPLEX	The delay lines are controlled by MIDI.	D/SE, H3500
692	FILTER SWEEPS	BAND DELAY	A recirculating sweep up is swept by the function generator.	D/SE, H3500
693	GLIDE DELAY	LONG DIGIPLEX	This is a mono version of Dual Glide Delay.	D/SE, H3500
694	MIDI 3 ON 2	DUAL DIGIPLEX	This preset will sync up its delay times to a MIDI drum machine or sequencer. The delays are in the familiar 3 on 2 pattern.	D/SE, H3500
695	MIDI PEDALSWEEP	SWEPT REVERB	The MIDI foot-pedal controller will manually sweep the delays in this program to generate a flange-like sound. The Modulation Wheel controls modulation of the delays.	D/SE, H3500
696	MIDIPLEX	LONG DIGIPLEX	Connect a MIDI drum machine or sequencer to this program and the delay will automatically be in time.	D/SE, H3500
697	MIDI BANDSWEEP	BAND DELAY	This program does process audio, but generates an interesting sweep when a MIDI note message is received.	D/SE, H3500
698	MODWHEEL REVERB	SWEPT REVERB	When connected to a MIDI keyboard, the Mod Wheel controls the decay time and the Pitch Wheel controls the delay (room size). Use this to easily generate dramatic reverb sweeps.	D/SE, H3500
699	ROCK ‘N’ ROLL	LAYERED SHIFT	This one’s a bit different. Capture an audio loop by pressing the ‘sustain’ parameter. Play a note on a MIDI keyboard to hear the loop. Moving the Mod Wheel will alter the loop points (a bit like rocking tape reels).	D/SE, H3500
700	AIR	STEREO SHIFT	A long, subtle echo.	D/SX, D/SE, 35
701	A LYDIAN 6THS	DIATONIC SHIFT	Play solo lines using A Lydian modal scales. If you don’t know what a modal scale is, play in the key of E major.	D/SX, D/SE, 35
702	A mi WATER WELL	DIATONIC SHIFT	Creates delayed harmonies in A minor.	D/SX, D/SE, 35
703	A MIXO AIR	DIATONIC SHIFT	A seventh and third that’s way back in the mix. Play in A Mixolydian.	D/SX, D/SE, 35
704	ANGEL HAIR	STEREO SHIFT	Ascending-octave echoes.	D/SX, D/SE, 35
705	ARP	DUAL SHIFT	Arpeggio with major sixth and fourth.	D/SX, D/SE, 35
706	ARPEGGIATOR	DUAL SHIFT	Ascending-arpeggiated echoes.	D/SX, D/SE, 35
707	BELL ECHOES	LAYERED SHIFT	Slap echoes, first up a fifth, then unshifted.	D/SX, D/SE, 35
708	BIG & LONG	DUAL DIGIPLEX	Doubling on the left, a long delay on the right. Be sure to use both inputs.	D/SX, D/SE, 35
732	OCTAVE DISPLACE	LAYERED SHIFT	Delayed octaves, up and down.	D/SX, D/SE, 35
733	OCTAVE FRENZY	LAYERED SHIFT	Octaves with feedback.	D/SX, D/SE, 35
734	OUTDOOR ARENA	REVERSE SHIFT	Big stadium, backwards echoes.	D/SX, D/SE, 35
735	PARADITTLE	ULTRA-TAP	Diffused machine-gun echoes.	D/SX, D/SE, 35
736	REVERB-a-BOUND	ULTRA-TAP	Thick reverb with a long attack time.	D/SX, D/SE, 35
737	SLOPPY 5THS	STEREO SHIFT	Detuned fifths. Great for solos.	D/SX, D/SE, 35
738	SMALL Chorus ROOM	SWEPT COMBS	A small room with an intense chorus.	D/SX, D/SE, 35
739	SMALL DARK ROOM	REVERB FACTORY	A realistic, small-room reverb.	D/SX, D/SE, 35
740	SPACE CATS	SWEPT COMBS	This defies explanation.	D/SX, D/SE, 35
741	STUPIT GUN	STEREO SHIFT	A dissonant pitch, sweep down.	D/SX, D/SE, 35
742	SYNTHISH	DUAL SHIFT	Distorted guitar in, synth out.	D/SX, D/SE, 35
743	TARUS BULBA Em	DIATONIC SHIFT	A fifth up, fourth down, in E minor.	D/SX, D/SE, 35
744	THE BLUBBA HOZE	LAYERED SHIFT	First a fourth down, then a fifth up.	D/SX, D/SE, 35
745	TIGHT CHORUS	STEREO SHIFT	A micro-shift that preserves stereo imaging.	D/SX, D/SE, 35
746	TRIPPLE SLAP	SWEPT COMBS	Three closely spaced echoes.	D/SX, D/SE, 35
747	TRIPPLE TREAT	DUAL DIGIPLEX	Two long echoes, plus the original, make three.	D/SX, D/SE, 35
750	ADR TAPE HISS	PATCH FACTORY	Provides hiss to use for matching edits between analog and digital sources.	H3500
751	BOING HIT	PATCH FACTORY	Sounds like a boing hit you know the show.	H3500
752	CIRCLES	ULTRA-TAP	Delays that sound like they sweep in circles.	H3500
753	DAY IN THE LIFE	SWEPT REVERB	Long, nightmarish reverb.	H3500
754	DRAGWAY AD	PATCH FACTORY	One-stop preset for those annoying ads.	H3500
755	FADE TO DREAM	LAYERED SHIFT	Gives illusion of drifting off into dream.	H3500
756	GIL’S ROOM	REVERB FACTORY	Smooth, roomy reverb. Sounds good to Gil.	H3500
757	GREGORIAN CHANT	PATCH FACTORY	Adds fifths to input ala Gregorian Monks.	H3500
758	HOUSE VERB	SWEPT COMBS	Sounds like the echo in a new house without furniture.	H3500
759	JET FLY BY	PATCH FACTORY	Convincing stereo, jet plane.	H3500
760	LASER HIT	PATCH FACTORY	“Captain, I can’t make the shields last much longer!”	H3500
761	MassiveStringTap	ULTRA-TAP	Delays set mondo-wide and big for strings.	H3500
762	MEGAPHONE	PATCH FACTORY	Come out with your hands up.	H3500
763	MovingVocalSprd	MULTI-SHIFT	Left output moves up nine cents, right moves down nine cents, with sine wave modulation.	H3500
764	PLUCK HIT	PATCH FACTORY	Hi-tech, plucking sound.	H3500
765	PULSING ROOM	DENSE ROOM	Long, warm verb.	H3500
766	RANDOM SHIFT	LAYERED SHIFT	Random-shifting thickener.	H3500
767	REVERSE DOGS	REVERSE SHIFT	Low octaves, howling backwards.	H3500
768	RIPPED WOOFER	PATCH FACTORY	Damn! Should have kicked in the subsonic filter for that jet sample!	H3500
769	SHIMMERISH	SWEPT REVERB	Ethereal sounding, verb-like effect.	H3500
770	STEREO COPTER	PATCH FACTORY	Stereo-sounding helicopter.	H3500
771	ST PETERS CATH	REVERB FACTORY	BEEEG reverb senor!	H3500
772	TELEPHONE	PATCH FACTORY	One-stop, telephone-voice sound.	H3500
773	THUNDER BOLT	PATCH FACTORY	Sounds like thunder.	H3500
774	TV/RADIO/JUKE	PATCH FACTORY	Sounds like box in the next room.	H3500
775	VOICE DISGUISER	SWEPT COMBS	Useful for covering identity of interviewee’s voice for controversial/confidential radio or television appearances.	H3500
776	WalaWala	DUAL SHIFT	Conversation simulator three from one.	H3500
777	WARPED LP	STEREO SHIFT	Guess what this sounds like?	H3500
778	WINDSTORM	PATCH FACTORY	Bundle up before you load this preset.	H3500
779	DIRECT BOX	PATCH FACTORY	Very clean, direct box. See manual for changing gain. Avoids analog to digital converters unless ‘effect’ is turned up. At unity gain, S/N is well over 100dB on Channel 1.	H3500
780	MEAN OCTAVES	PATCH FACTORY	Distortion with octave pitch shift.	H3500
781	PIGNOSY	PATCH FACTORY	A popular, little guy.	H3500
782	R & B PLUCK	PATCH FACTORY	Has that clean sound with flange and delay.	H3500
783	SCREAMER DELAY	PATCH FACTORY	Gritty distortion with delay.	H3500
784	SCREAMER uPITCH	PATCH FACTORY	Gritty distortion with added delay and harmony.	H3500
785	SILVERTONE II	PATCH FACTORY	That old beginner’s sound.	H3500
786	ULTRALUX	PATCH FACTORY	Bright, rhythm sound.	H3500
793	CLONEVERB	REVERB FACTORY	Bright, medium room.	D/SE, H3500
794	LIKE ENOSE IN E	REVERB FACTORY	Resonating gated and echo in key of E.	D/SE, H3500
795	LONG & SMOOTH	REVERB FACTORY	Long, smooth, bright hall.	D/SE, H3500
796	MEAT LOCKER	REVERB FACTORY	Sounds like a meat-locker-sized space.	D/SE, H3500
797	MIDI 3 ON 2	DUAL DIGIPLEX	Delays scaled by MIDI clock period.	D/SE, H3500
798	MIDIPLEX	LONG DIGIPLEX	Single delay scaled by MIDI clock.	H3500
799	MULTI FLANGERS	SWEPT COMBS	Resonant set of flangers. Watch clipping.	D/SE, H3500
800	allpass detune	MOD FACTORY	Uses two detuners in series to give a unique, reverb-like chorus.	All Units
801	anti-duck feedback	MOD FACTORY	Dual delays that feedback only while audio is present.	All Units
802	awesome flange	MOD FACTORY	Two flangers in series give some super notches with pitch detuning on the output.	All Units
803	awesome knob	MOD FACTORY	The awesome flanger with manual control: (the knob) use this to manually sweep the flanger.	All Units
804	band compress	MOD FACTORY	A fixed 2:1 dual-band compressor.	All Units
805	band flip	MOD FACTORY	This patch splits the input signal into two bands, a high band and a low band. The output continuously crossfades between these two bands.	All Units
806	bandsplit delay	MOD FACTORY	Splits input signal into two bands and passes each band through a separate delay line. The low band goes to the left output channel and the high band to the right.	All Units
807	boing	MOD FACTORY	A strange, triggered, pitch mutilation.	All Units
808	bpm panner	MOD FACTORY	An autopanner with the pan rate controlled by the BPM setting.	All Units
809	bpm trips and qtr	MOD FACTORY	Beat-per-minute triplets on one side, quarter note on the other.	All Units
810	bpm trip pan	MOD FACTORY	Beat-per-minute triplets feeding an autopanner.	All Units
811	bpm x-fed duck	MOD FACTORY	Two ducked delays adjusted in beats-per-minute. The output of delay 1 feeds back into the input of delay 2 and vice-versa.	All Units
812	chorus/duck trm	MOD FACTORY	Detune chorus to the left and right and a ducked, tremolo delay in the center.	All Units
813	chorus/duck dly	MOD FACTORY	A detuned chorus and ducked delays.	All Units
814	chorus/pan dly	MOD FACTORY	Pitch detuning on the left and right with a dry, autopanned repeating delay.	All Units
815	chorus room	MOD FACTORY	A reverb-like chorus.	All Units
816	compress 21	MOD FACTORY	A fixed 2:1 compressor. Use env1 parameters to control the compressor.	All Units
817	detuned space	MOD FACTORY	Detuners arranged to give a small-room sound.	All Units
818	detune darkly	MOD FACTORY	Detuning with control over high-frequency rolloff.	All Units
819	dual long delay	MOD FACTORY	Two independent delay loops. Use delay controls to change delay and feedback.	All Units
820	dual duck delay	MOD FACTORY	Two independent delay loops with gain ducking. Use delay controls to change delay and feedback. Use envelope controls to adjust gain ducking.	All Units
821	dual panners	MOD FACTORY	Two independent autopanners.	All Units
822	dual tremolo	MOD FACTORY	Two tremolos, with delays.	All Units
823	ducked verb	MOD FACTORY	A chorused, reverb-like effect that ducks with the input.	All Units
824	dynamic feedback	MOD FACTORY	Dual delay loops with lowpass filters in the feedback loop. The filter frequencies are modulated by the input envelope to give a downward sweep to the feedback.	All Units
825	dynamic flange	MOD FACTORY	The input level controls the amount of feedback in this two-voice flanger. Higher input levels give a more resonant flange.	All Units
826	dynamic tremolo	MOD FACTORY	Tremolo, with the rate controlled by the input level. The output is detuned to give a stereo, chorus effect.	All Units
827	envelope detune	MOD FACTORY	A stereo detuner with dynamic control of the detune amount. Greater input levels increase or decrease the amount detuning.	All Units
828	envelope filter	MOD FACTORY	That classic, funky sound. This uses both filter 1 and 2. Use env1 attack and env1 decay times to control the envelope response.	All Units
829	envelope flange	MOD FACTORY	A two-voice flanger with the envelope sweeping the delay.	All Units
830	env filter/slap	MOD FACTORY	Envelope filter into a slap delay.	All Units
831	env filter/verb	MOD FACTORY	Envelope filter into a cheap reverb.	All Units
832	envelope pan	MOD FACTORY	Pan position varies with input signal level. Higher levels are panned left and lower levels are panned right. Use env 1 controls to set attack and decay times.	All Units
833	ethereal	MOD FACTORY	A very watery, haunting reverb.	All Units
834	ethereal logic	MOD FACTORY	The ethereal reverb modulated with a square wave.	All Units
835	etherpan	MOD FACTORY	The ethereal reverb followed by an autopanner.	All Units
836	ethertrem	MOD FACTORY	The ethereal reverb feeding a tremolo.	All Units
837	exponential	MOD FACTORY	Four chorused, delay taps with exponential spacing. Use BPM to set the amount of delay.	All Units
838	filter sweep	MOD FACTORY	A funky, triggered, filter sweep. The input signal triggers the sweep. To set the trigger level, adjust LFO 1 threshold.	All Units
839	flange pan	MOD FACTORY	Dual autopanners with delay modulation.	All Units
840	flutter	MOD FACTORY	A more intense, dynamic tremolo.	All Units
841	funky squares	MOD FACTORY	A pair of highly resonant, square-wave, modulated filters.	All Units
842	fuzz/chorus	MOD FACTORY	A fuzz box feeding a detuned chorus. The detune is right and left, with dry distortion in the center.	All Units
843	fuzz/clean chrs	MOD FACTORY	Fuzz in the center with a clean-pitch detune left and right.	All Units
844	fuzz/eq/comp	MOD FACTORY	A 2:1 compressor precedes the distortion. Also has two bands of eq and independent left/right channel delays. Adjust filter 1 and 2 to control eq.	All Units
845	fuzz/eq/rotary	MOD FACTORY	Fuzz into a rotating speaker simulation.	All Units
846	fuzz/eq/tremolo	MOD FACTORY	Fuzz into a tremolo.	All Units
847	fuzz-head	MOD FACTORY	Super, high-gain fuzz with resonant overtones.	All Units
848	gated ghost	MOD FACTORY	The ethereal reverb followed by a noise gate. Use the envelope follower parameters to adjust the gate.	All Units
849	gated multitap	MOD FACTORY	A chorused, multi-tap delay followed by a noise gate.	All Units
850	haas panner	MOD FACTORY	An autopanner that varies the delay to the left and right channels to enhance the realism of the panning effect.	All Units
851	Haas pan/manual	MOD FACTORY	A manual panner that varies the delay to the left and right channels to enhance the realism of the panning effect.	All Units
852	hi->efx lo->noefx	MOD FACTORY	A frequency-dependent gate that lets the high notes into a chorus delay effect. Use cutoff1 and cutoff2 to adjust the crossover point.	All Units
853	high->lft low->rt	MOD FACTORY	A frequency-dependent gate that steers the high notes to the left channel and the low notes to the right channel. Use cutoff1 and cutoff2 to adjust the crossover point.	All Units
854	knob zippers	MOD FACTORY	Use the knob to control delay time, giving a zipper effect.	All Units
855	manual flange	MOD FACTORY	Use the knob to flange. This is a subtle version, try “awesome knob” (#803) or “rich flange/man” (#872) for more intense flanging.	All Units
856	midi efx rack	MOD FACTORY	This is set up to use with a MIDI controller like the MIDI mitigator. Each parameter of this patch is assigned to a different MIDI controller. This patch gives you a pair of ducked, BPM delays in parallel with a pitch-detuning chorus.	All Units
858	overdub loop	MOD FACTORY	A long loop with delay modulation that overdubs without overload. Use delay 1 to control the length of the loop.	All Units
859	overdub detune	MOD FACTORY	An overdubbing loop like above, except with detuning on the left and right outputs. The dry loop output is panned center. Also, this patch has BPM control over the loop length.	All Units
860	overdub tremolo	MOD FACTORY	An overdubbing loop with chorus and tremolo. BPM controls the loop length. The chorus is panned left and right. The tremolo is panned center.	All Units
861	overdub dual	MOD FACTORY	Dual overdubbing delay loops with knob modulation of the delay times.	All Units
862	panning bands	MOD FACTORY	Dual autopanners fed by fixed bandpass filters. Use filter 1 and 2 parameters to adjust the characteristics of the bands.	All Units
863	panning delays	MOD FACTORY	Dual delays, each with its own autopanner.	All Units
864	panning detune	MOD FACTORY	An autopanner with the left and right channels detuned.	All Units
865	pan into delays	MOD FACTORY	An autopanner that feeds a cross-fed pair of delays.	All Units
866	panner	MOD FACTORY	Autopan using a frequency-modulated oscillator.	All Units
867	pan squarely	MOD FACTORY	Autopan with a square-wave oscillator.	All Units
868	ping-pong	MOD FACTORY	A ping-pong delay with controllable high cut.	All Units
869	ping-pong duck	MOD FACTORY	Like above, with ducking on the delays. Use envelope controls to adjust ducking parameters.	All Units
870	quivering echo	MOD FACTORY	A uniquely modulated delay. Use BPM to adjust delays and modulation.	All Units
871	rich flange	MOD FACTORY	A flanger built with two delays and cross-coupled feedback.	All Units
872	rich flange/man	MOD FACTORY	The same flanger as above, but this one has manual control.	All Units
873	rich rhythm	MOD FACTORY	A very diffuse, chorused pair of repeating delays. Use BPM to set the tempo.	All Units
874	sine flange	MOD FACTORY	A very smooth flange that uses a sine wave to sweep the delays.	All Units
875	slap center	MOD FACTORY	Detuned chorus on left and right with a dry slap in the middle.	All Units
876	slide into tune	MOD FACTORY	The input envelope bends the pitch upward. Use envelope controls to vary the dynamics of the pitch bend.	All Units
877	speaker spinner	MOD FACTORY	A rotating speaker simulation. Even takes time to come up to speed.	All Units
878	square chorus	MOD FACTORY	Pitch, detuning modulated by a square wave.	All Units
879	stereo detune	MOD FACTORY	Splits stereo signal into L+R and L-R. In addition to controlling the balance of L+R and L-R, L+R can be detuned.	All Units
880	stereo enhance	MOD FACTORY	This patch plays around with the L-R component of a stereo mix. Delay and EQ of the L-R signal are controllable with softknobs.	All Units
881	stereo widen	MOD FACTORY	Adds delay to L+R to give wider center image.	All Units
882	strange loop	MOD FACTORY	Output switches between two different delay loops, giving an interesting, rhythmic effect.	All Units
883	swell	MOD FACTORY	A gain swell triggered by the audio input. Use thresh1 to adjust the trigger threshold.	All Units
884	swell reverb	MOD FACTORY	The ethereal reverb modulated by a triggered, amplitude swell.	All Units
885	swell taps	MOD FACTORY	A multi-tap delay gated with a triggered LFO. Use LFO thresh to adjust trigger threshold.	All Units
886	throaty	MOD FACTORY	An envelope flanger based on the awesome flanger.	All Units
887	tremolo	MOD FACTORY	A stereo tremolo with independent left/right delay control. Use delay 1 and delay 2 parameters to set delays.	All Units
888	triggered air	MOD FACTORY	A rich, chorused reverb whose output is gated by a triggered LFO. The left input triggers the swell. Use thresh1 to set the trigger threshold.	All Units
889	triggered flange	MOD FACTORY	Audio input triggers flange sweep. Thresh1 adjusts the trigger threshold.	All Units
890	triggered pan	MOD FACTORY	Audio input alternately triggers a pan to the left, then to the right. Thresh1 controls the trigger threshold.	All Units
891	trig pan r->l->r	MOD FACTORY	Audio trigger pans right to left to right. Thresh1 controls the trigger threshold.	All Units
892	true flange	MOD FACTORY	Thru-zero flanging. This uses two delays to get flanging that actually passes through zero delay.	All Units
893	undulator	MOD FACTORY	Tremolo on top of a multi-tap delay.	All Units
894	vibrato	MOD FACTORY	Vibrato with controllable delay.	All Units
895	whaaat-a-panner	MOD FACTORY	Two bands that pan and change cutoff frequency.	All Units
896	whoopie	MOD FACTORY	Very strange envelope-modulated noises.	All Units
897	wide tremolo	MOD FACTORY	Tremolo with different delay on left and right gives a nice, stereo effect.	All Units
898	wilting phrase	MOD FACTORY	After a phrase is played, the pitch drops.	All Units
899	x-coupled ducks	MOD FACTORY	Two ducked delays with cross-coupled feedback.	All Units
975	MULTI DOUBLER	SWEPT COMBS	Flangy thickener. Try on background vox.	D/SE, H3500
976	MUTRUM	PATCH FACTORY	Garbly, alien sound.	D/SE, H3500
977	HIGH SWELLS	REVERSE SHIFT	High shimmer for synth pads.	D/SE, H3500
978	NewBrightChamber	DENSE ROOM	Medium-large, bright chamber.	D/SE, H3500
979	SmallEmptyClub	DENSE ROOM	Tiny, empty club you worked at last week.	D/SE, H3500
980	PAPER PLATE	REVERB FACTORY	Small, thin-plate reverb.	D/SE, H3500
981	OTHERS MONO DLY	LAYERED SHIFT	Basic delay with feedback.	D/SE, H3500
982	007 PHASE GUN	PHASER	Sci-fi, fun gun.	D/SE, H3500
983	PHASER GTR	PHASER	General-purpose PHASER. Try on Guitar.	D/SE, H3500
984	ROEYs PHASOLOGY	PHASER	Deep and slow, is the way to go.	D/SE, H3500
985	USEFUL VERB 2	REVERB FACTORY	Generic reverb, medium well.	D/SE, H3500
986	POOBLICE ON 9	LAYERED SHIFT	Deglitched, hi-end sound, L+12, R-11.	D/SE, H3500
987	R & B DIRTSKI*	PATCH FACTORY	Nice thickener for guitars. Distorted ambience.	D/SX, D/SE, 35
988	REAL CHORUS 2	MULTI-SHIFT	Randomized doubler. Smaller than preset #528.	D/SX, D/SE, 35
989	ResonateInEnozE	SWEPT COMBS	Verby at first, then more tuned delay-like.	D/SE, H3500
990	ROBO DRUM	PATCH FACTORY	Adds cylon ambience to percussives.	D/SE, H3500
991	AIR SHAMIR	DENSE ROOM	Tight, lil’ thang.	D/SE, H3500
992	ONVELOPE FILTER	PHASER	Long, cool sweep. Cool on bassy things.	D/SE, H3500
993	UK STYLE VERB	REVERB FACTORY	It’s Brit-ish, mate.	D/SE, H3500
994	SHO IZ TITE VRB	REVERB FACTORY	Tight, gated reverb. Bright.	D/SE, H3500
995	SMALL & LIVE VERB	REVERB FACTORY	Funny, gated, little verb. Ha Ha.	D/SE, H3500
996	SNARE SLAP	PATCH FACTORY	Poppy, delayed effect.	D/SE, H3500
997	STRING MODLER#9	STRING MODELER	Droning sounds in the background.	D/SE, H3500
998	TALKIN BUM	PATCH FACTORY	Sounds like bums sayin ‘walla, walla.’	D/SE, H3500
999	THUNDER TOMS	PATCH FACTORY	One-of-a-kind, falling ambience for toms.	D/SE, H3500