At the heart of The Studio Phenix is a 64-channel SSL 4000G console, a desk legendary for its punch, warmth, and unmistakable presence on countless hit records. Partnered with Apogee Symphony I/O Mk II converters and a Pro Tools HDX system configured for 48 inputs and 48 outputs, the studio seamlessly bridges classic analogue tone with modern digital flexibility. Monitoring is handled by ATC SCM25A loudspeakers supported by a Bag End subwoofer, ensuring mixes translate with pinpoint accuracy. For tracking sessions, Mytek Private Q cue systems keep performers locked into their sound.
The outboard collection at The Studio Phenix is as deep as it is impressive. Preamps span every shade of colour, from vintage Telefunken V72 modules to no-compromise Neve 1073 and 1081 channel strips, alongside classic API 512c and BAE 312A units. Modern precision is represented by GML 8302 and Boulder Jensen Twin Servo preamps, while Universal Audio 2108 and 610 modules add warmth and saturation. With such a wide palette, engineers can shape tone at the source to suit any style.
Equalisation options are equally diverse. Alongside classic Neve EQs sit rarities such as the Helios RE24, Lang PEQ-2, and a selection of Pultec EQP-1A and EQP-1A3 units. GML 8200 parametrics, Tube-Tech PE1C, and Summit dual equalisers add surgical flexibility, while Vintech x81s and Focusrite ISA 115HDs extend tonal variety further.
Compression and dynamics are covered by a roster of heavyweights. The SSL Bus Compressor offers the famous glue that defines records mixed on 4000-series desks, while a Neve 33609 provides rich, musical control. A collection of Urei and Universal Audio 1176 units in multiple revisions, together with Teletronix LA-2A and LA-3A modules, provide classic vocal and instrument control. Empirical Labs Distressors, API 2500, Tube-Tech CL1B, and a range of DBX units give modern punch and character. Rarer pieces like Inovonics 201 limiters and the Vintech 609CA ensure engineers have unique textures at their disposal.
Effects processing at The Studio Phenix leans heavily on iconic hardware. The Bricasti M7 provides pristine reverb, while classic Lexicon units such as the PCM 42, PCM 70, PCM 96, and Prime Time II deliver lush ambience. Eventide classics including the H3000, H910, Instant Flanger, and SP 2016 offer rich modulation and harmonisation, with Roland Dimension D and SDE-3000 adding unmistakable vintage chorus and delay. From guitar-friendly tools like the Keeley Java Boost and SansAmp PSA-1.1 to time-tested staples, the effects rack rounds out an enviable collection.
For Peter Frampton, The Studio Phenix is more than just a recording space. It is a creative sanctuary where decades of musical experience meet state-of-the-art production tools. The combination of a legendary SSL console, meticulously chosen outboard gear, and an artist’s vision make it one of Nashville’s most distinctive private studios, capable of handling projects that demand both modern precision and timeless character.