Vintage Digital

Yamaha

Classic Recording Studio Equipment

Yamaha is a company that has been at the forefront of digital audio technology since the 1980s. The company has developed some of the most innovative and high-quality digital effects processors that have been used in studios and live sound applications around the world.

The history of Yamaha digital effects processors can be traced back to the release of the REV1 in 1984, which was Yamaha’s first digital reverberator. However, it was the release of the SPX90 in 1985 that brought affordable digital effects processing to a wider audience. The SPX90 quickly became a popular choice for musicians and engineers, offering a range of effects including reverbs, delays, and modulation effects. The unit was known for its high-quality sound and ease of use.

In the 1990s, Yamaha continued to innovate with the release of the SPX900 and SPX1000. These units offered more advanced features and algorithms, including high-quality pitch shifting and stereo imaging effects. The SPX1000 also introduced a new “Smooth” reverb algorithm, which was known for its smooth and natural sound.

The 2000s saw the release of the Yamaha REV500. This units offered a range of high-quality reverb algorithms, including emulations of classic hardware reverbs. The REV500 also introduced a new “Inverse” reverb algorithm, which was known for its unique, gated reverb sound.

Today, Yamaha continues to be a leader in the world of digital effects processing. The company’s processors are used by musicians, engineers, and producers in a wide range of applications, from professional studios to live sound and broadcast. Yamaha’s effects processors are known for their high-quality sound and intuitive user interfaces, and the company continues to innovate with new algorithms and features to meet the evolving needs of the music and audio industry.

The Yamaha ProR3 marks a new era in Yamaha’s reverberation technology. Third-generation Yamaha digital signal processors (DSP) with 32 bit digital signal processing and high-performance 20 bit linear A/D and D/A converters provide unprecedented density and resolution, with breathtaking dynamics.
Digitally reproducing the complex reflection patterns of natural reverberation is a daunting task that can only be effectively handled by custom LSI circuitry. Yamaha was a pioneer in the field of DSP (Digital Signal Processor) LSI production, and continues to lead the way in products such as the Yamaha REV500.
It’s simple. It’s fast. And it’s fully professional. It’s the Yamaha CDR1000 Professional Audio CD Recorder, a fully professional CD recorder that’s fully compatible with CD-R and CD-RW. Finally, the convenience of tape-based recording formats has come to the CD.
Reminiscent of their own REV1, the SREV1 was Yamaha once again going all out to take on the big brands, namely Lexicon in the studio reverb space. The Yamaha SRev1 is perfect for recording studios, audio post, broadcast, concert halls, theaters, or anyone looking for superb quality reverb that sounds just like the real thing, with the option to sample the reverberation characteristics of any location for use back in the studio.
The Yamaha SPX2000, while inheriting the standard interface and popular programs from its predecessors, brings a new dimension to the SPX sound with advanced REV-X reverb algorithms and 24-bit, 96k-Hz audio processing.
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