Vintage Digital

Classic Recording Studio Equipment

The SPL HPm Headphone Monitoring Amplifier is a 500 Series double-slot module headphone monitoring amplifier with Phonitor Matrix for two headphones.
The elegantly crafted Neve 1073SPX adopts the 1073® Class A design, exquisite 3-band EQ (fixed HF plus two switchable bands with cut/boost capability) and high pass filter – making the 1073SPX the obvious choice for modern studios.
Crane Song HEDD Quantum Harmonically Enhance Digital Device is a stereo AD/DA with DSP tape and tube colour, sub pico second jitter and clock generator.
The Retro REVOLVER Dual Channel Tube Compressor – A Revolution in a Rack.
Soma is a clear departure from the old “passive EQs are for general shaping only” paradigm. It is the only commercially available passive EQ with real Q adjustment, which makes it more usable and accurate than other products which use only a resistor based Q adjustment which affects boost/cut amount and does not offer a wide range.
The new API 529 Stereo Compressor combines the unmistakable sound of API’s compression technology with the convenience and popularity of the API 500 Series format.
The SPL DMC is the heart of the mastering studio. The converters, the players, the DAW, the recorders and the speakers are connected to it. The audio quality of the console is therefore crucial. Like all devices of the mastering series, the DMC works on the unparalleled 120V technology.
SPL Hermes revolutionizes mastering. Now it is possible to have an audio signal processed by up to eight 2-channel processors in any order that can be stored. At the push of a button you can compare up to four complex processing chains.
The WesAudio Hyperion Parametric Equalizer is a fully analog parametric equalizer with digital recall, in a compact 500 series format.
The Gyraf Audio G23-S is an original design Tilting-type Equalizer aimed mainly at mix and mastering, for the situations where you have a mix that is already nearly-perfect balanced, but want it a tad darker or brighter without messing up the overall definition. The recent -S version has been extended, now containing two entirely different topologies for makeup gain and interfacing.
Knif Pure Mu utilizes the simplest tube compressor topology. There is only one active stage of 4 parallel coupled tubes per channel, input transformer and output transformer. Therefore Pure Mu.
The Knif V804 Pre Microphone Preamplifier uses only two amplifier stages, only one pentode and one triode per channel and the absolute minimum of other components.