Vintage Digital

Classic Recording Studio Equipment

The Radial Engineering EXTC is a unique 500 series module that allows you to connect guitar pedals to the inputs and outputs of pro audio equipment, providing the ability to incorporate effects pedals into your mix in new and creative ways.
The Stam SA-76ADG is an exact replica of the 3 most revered revisions of the UREI 1176 FET compressor. Revision A, D, and G.
The WesAudio Calypso AD/DA Converter is a digital audio interface designed to work in 500 series enclosure.
The Stam SA-670 Mk2 Stamchild is our take on the most iconic and finest sounding tube compressor in history, the Fairchild 670.
The Chandler Limited TG Opto compressor is a handmade, fully discrete, mono, dual space module, designed for the 500 Series format.
The Warm Audio WA273-EQ Dual-Channel British Mic Preamplifier + EQis a proper reproduction of the most legendary console sound of all time.
Tegeler have spent so much time planning, constructing, testing, programming, checking… and above all else, listening. The Tegeler Schwerkraft Maschine Compressor incorporates the sum of all our expertise, combined with the feedback we got on the VTC.
The Maag Audio EQ4M is Maag Audio’s flagship mastering equalizer. It is based on the company’s original 6-band NTI EQ3 and like that original 2u equalizer, the 1u eq4m also includes Cliff Maag’s unique and noteworthy air band® shelving equalizer first introduced in 1993 with the NTI EQ3.
The Maag Audio Magnum-K single-channel compressor is a unique design that accomplishes dynamic range modification in the most efficient and transparent way possible.
The Maag Audio EQ2-500 is a 2-band equalizer module that fits into a single slot of the popular 500VPR series racks. Many features and the design philosophies of the Maag Audio EQ4M standalone equalizer are incorporated into both the EQ2 and eqEQ-500 series equalizers.
The Gainlab Audio Dictator Dual Pentode Vari-μ Compressor represents a tube-based dynamic controller inspired by classic vari-mu compressors. It draws theoretical influence from renowned models like the Fairchild 670 and Gates STA-Level, along with contemporary solutions, to enhance sound control.
What do you do when an old reverb is still so popular after nearly 40 years? You update it and release it once again. The AMS RMX16 was the world’s first microprocessor-controlled, full-bandwidth digital reverberator and characterized an enormous number of seminal recordings from the 1980s onwards. Its designer’s love for music and experience in the aerospace industry meant it was way ahead of its time on release.