Latest User Reviews

What this device does is rather subtle at times, well most of the times if I am honest. This is not a slap you in the face EQ, it is a sophisticated equalizer that can add a great deal od shimmer and clarity to a particular track you apply it to. Great for adding some sizzle to the overheads, make an acoustic guitar cut through the mix, or adding a bit of bite to a vocal, very cool in my view.

It’s a great delay with that vintage digital grit, also really great for various things like Flanging or driving it for distortion. I do think they’ve become way too expensive over the years. Extremely reliable considering they’ve been around for 40 years and mine still works and I’m not even the first owner.

I could not wait to buy one of these things back in the day, and the moment I got my hands on one I was off, recording whatever I could. The problem was, I did not like what was coming back at me. I was used to tape adding it’s sonic signature to everything, ADAT did not do that and it was hard to come to terms with. But there was no doubting the benefits it brought and one has to acknowledge that.

This unit is an absolute beast when it comes to reverb and effects. It’s like having a world-class recording studio in a box. The Lexicon 960L offers an extensive range of high-quality reverbs and effects that can take your audio to a whole new level. The reverb algorithms are lush and versatile, allowing you to create everything from subtle, natural room sounds to epic, otherworldly spaces. One of the standout features is the intuitive interface. It’s user-friendly and makes tweaking your sound a breeze. The ability to fine-tune parameters like pre-delay, decay time, and modulation gives you a lot of creative control. The 960L also has a bunch of presets that can serve as great starting points or just inspire your creativity. Whether you’re working on music production, post-production, or any audio project, this unit is a game-changer. However, it’s worth noting that the Lexicon 960L is a bit on the pricey side, and it might be overkill for beginners or those on a tight budget. But if you’re serious about your sound and you want top-notch reverb and effects, it’s a solid investment. The Lexicon 960L Digital Reverb is versatile, sounds fantastic, and offers a wide range of creative possibilities. If you’ve got the budget, it’s definitely worth considering for your setup. Cheers!

So every one loves the Yamaha SPX90, but almost nobody talks about the SPX90 II, the forgotten effects box. It is essentially the exact same box as the SPX90 but with more memory, what’s not to like? But that is OK, it simply means I can buy an SPX90 II for less money that the SPX 90, ha!

The 1176 compressor is an iconic piece of studio equipment that has stood the test of time. From the moment I introduced it into my setup, it became an irreplaceable asset. The 1176’s lightning-fast response and legendary FET-based design are the stuff of dreams. It’s like having a magic wand for dynamic control. If you’re seeking that signature punch and warmth, look no further. It’s not just a piece of equipment; it’s a legend in the world of audio processing.

The DBX 160 VU Compressor/Limiter is a classic for a reason. It’s been a stalwart in my studio for decades. The compression and limiting it offers is excellent. This workhorse can handle anything you throw at it, from drums to vocals, with finesse. If you’re after a reliable and timeless piece of gear, this is it. A true legend in the world of audio processing.

I still remember the day I got my Sony DTC-1000ES, it was a complete game changer for me. I honestly thought this would be as good as it gets, and for a while it was I suppose. I mixed down so many songs to this machine back in the day, and I still have those tapes, but sadly not this machine. I sold it to buy the newer machines that Sony seemed to release with great frequency, but to be honest none of the machines I bought after this one, were made as well as this one. Sure they sounded better, but the build quality was not as good, and as such they did not last long, but then again most DAT recorders screwed up at some point.

The Roland SDD-320 Dimension D Chorus is pure magic in a box. It’s one of those pieces of gear that never goes out of style. The lush, spatial sound it adds is simply brilliant. Whether you’re enhancing synths, guitars, or vocals, the Roland SDD-320 brings a new dimension to your sound.

The Urei 1178 compressor is an absolute beast! It’s been a trusty companion in my studio for years. The transparency and control it offers are second to none. This thing just oozes classic vintage vibe, and it’s a secret weapon for achieving that pro sound. If you’re serious about audio, you need this in your setup. An absolute gem!

Looking back, the 360 Systems Model 2800 Programmable Equalizer proved to be a real game-changer. Its array of programmable features allowed for precise audio frequency control. This versatile tool, regardless of whether you were a seasoned pro or an up-and-coming sound engineer, delivered exceptional performance that truly elevated audio quality. In retrospect, it was an invaluable addition to any setup.

The APHEX 320D Compellor is an absolute game-changer. It’s pure magic! Whether you’re a pro or just getting started, this little beauty will make your audio sound top-notch. It’s a real must-have for any studio setup. Cheers!